The vocal was written by Dogan Duru, the lead singer of the set. It was in the 2nd album of the set, called Kirli Suyunda ParA±ltA±lar Glitters in Muddy Water ( 2006 ) . Soon after the set released the album, this vocal became really celebrated among its fans since the lines epitomized our society ‘s state of affairs in a satiric manner. Throughout this essay, I will analyse some of the most effectual lines and give grounds for this piece of art to be burnt in Bradbury ‘s universe.
To get down with, the name of the vocal on its ain would straight hold a profound consequence on the people in Bradbury ‘s novel. Even Montag, the supporter of the novel, is non certain whether he is in love with his married woman or non. He and his married woman, Mildred, do non even retrieve where and how they have met. This tells us that matrimonies are so weak that you do non retrieve where you had met your partner, which is the most basic and cherished item for a true twosome. By utilizing the word ‘love ‘ , we do non merely believe of ‘love ‘ in a romantic manner. We can love anything, our properties, our occupations and of class above all, our lives. Peoples of Fahrenheit 451 seem excessively glooming about life ; they do non to hold anything to care for. Unsurprisingly, when they read the name of this vocal, they would experience a spot alone inside and wake up to the fact that they are populating in a universe in which love no longer exists. As Montag realizes after speaking to Clarisse that he is non in love with his married woman, and he says to himself: “ What a shame! You ‘re non in love with anyone! ” ( 41 )
Another fact pointed out in the vocal is that we live in a universe where we still believe same old narratives about our history. Not many people have the bravery to travel after what they truly believe. Alternatively, a batch of people take things for granted, and they do non even condescend to seek out the world. This creates a general ignorance in our society ; we embrace things the manner we are being told. However, the state of affairs is worse in Bradbury ‘s universe. There, the of import and influential parts of human history are distorted more grossly than today ‘s universe. When Clarisse asks whether firemen used to fire books in the yesteryear, Montag says: “ No. Houses have ever been fireproof, take my word for it. ” ( 6 ) As one can easy see, this is a incorrect statement built upon another incorrect one ; yet, Clarisse seems to believe and the concatenation of ignorance goes on as such. Poetries in the vocal about this state of affairs are so rhetorical ; they focus on the two most of import events in our history. The word apple in the vocal is an allusion to Adam and Eve, the first human existences, and the other line is about fire, which was a really of import innovation in human history. Therefore, after reading these poetries, one in Bradbury ‘s universe may believe deeply about our history, in a serious mode.
A different ground for this vocal to be banned in Bradbury ‘s universe is its negative stance on telecasting. As we all would hold, telecasting has a monolithic impact on our lives. It is impossible for us to conceive of a universe without telecasting ; even the poorest households have at least one telecasting in their houses. In malice of being utile at times, this box can be instead unsafe if one does non cognize how to utilize it sagely. Generally, people spend hours in forepart of their telecastings, ticker plans that narrow their point of views. Even though people have the distant controls, they do non really have the will to command the telecasting. On the contrary, telecasting controls people. It enslaves more and more people every twenty-four hours, strengthens its place. The state of affairs in Fahrenheit 451 is worse than our universe. People there work hard in order to acquire four walls of a room covered in telecasting screens, called parlour walls. Furthermore, telecastings in their universe have different qualities from ours. Fictional characters in the telecasting shows speak through the screen with the viewing audiences, thereby pulling full-time attending from people. Mildred, Montag ‘s married woman, venerates the characters of the series she watches. She perceives them as her household, and she is numbed by their empty words all twenty-four hours long. Actually it is a good topographic point to associate the love component of this essay with this point. When Montag asks his married woman whether her alleged household loves her, she does non reply. This tells us that she is cognizant of the fact that she is non loved by them, which makes us return to the aforesaid statement: There is no such thing as love in their universe.
Another different ground for this vocal to be burnt in Bradbury ‘s universe is its concise line about pills. Duru says: “ He merely takes pills and goes to kip. ” This line is already striking in our universe. Many people need pills in order to kip, some of them are so desensitized by technological devices that merely pills can do these people sleep a small. Some of them are drug maltreaters, and some of them are so despairing about the universe that all they can make is take pills and acquire lost their ain fanciful universes. This state of affairs is worse in the book. Mildred takes pills every dark to be able to kip. One dark she takes excessively many pills, as if she meant to perpetrate self-destruction. Montag calls technicians to assist his married woman, and after two technicians save her they talk to Montag. They say that these sorts of events are pretty common in their clip and they take attention of about 10 people every individual dark. It is problematic whether these two technicians are the lone workers on the displacement. However, if we look at their hum, they perchance are non. As one would deduce, there are many people perpetrating suicide consciously or unconsciously, which shows us they are really disgruntled with their lives on the interior.
Indifference to others ‘ lives is another point which we can speak about. Both in the vocal and in the book this indifference is emphasized. Duru points out the disagreement of world on the life job by stating that one bents people and seeks life on another planet afterwards. If one thinks widely about this line, one can recognize that it depicts our state of affairs in a satiric manner. There are wars and struggles among states and many people have to populate under really hard fortunes. So to talk, we can non even pull off to populate on this planet decently, yet we work hard in order to happen paths of life outside our planet. Peoples in Bradbury ‘s universe are excessively apathetic to others ‘ lives. A adult female kills herself because of Montag and the firemen in one portion of the book. After this incident, Montag states his sadness to Mildred. However, she says that the adult female is nil to her. In another portion, while Mildred and her friends are watching telecasting Montag joins them. He gets detested by what is being shown in the telecasting, as some organic structures are winging in the air, dead. He says: “ Millie, did you see that? ” “ I saw it, I saw it! ” ( 90 ) As clear in this quotation mark, people react to the issue of decease as if it were an ordinary and unimportant instance. Therefore, Duru ‘s line about this job would do Bradbury ‘s people a bit introverted to their interior feelings.
One concluding ground for this book to be burnt in Bradbury ‘s universe would be both for the chorus and this line of Duru: “ What does the adult male do in this feeling of comprehensiveness? ” In the original wordss, he uses the word ‘adem ‘ , which means ‘Adam ‘ in English. That is to state he refers to work forces in general. He tries to state that twenty-four hours by twenty-four hours we are get downing to resemble of each other a batch, and shortly there will be no difference among people. The people in Bradbury ‘s universe are all made to be the same. As in the book, Captain Beatty says to Montag, “ . . . Not everyone born free and equal, but everyone made equal. Each adult male the image of every other, they are all happy. . . ” ( 55 ) If we are to believe about this quotation mark, we will see that what Duru suggests is really near to the state of affairs in Bradbury ‘s universe.
To reason, wordss of this vocal comply with the state of affairs of the people in Fahrenheit 451. They would be really animating for people who are really indecisive about the societal and moral facets of their universe, merely like Montag. Even though it would be burnt in their universe, the state of affairs is non that different in our universe excessively. Real plants of art are non respected, and the 1s who respect them are being excluded from the society. We are in an epoch where faces and labels get attractive force, which shows that we are non far off from the universe represented in the book.
