The Gothic fresh Perfume set in the eighteenth century, chronicles the cheerless life of the supporter, Grenouille, who is a cripple with a gift of olfactive sense. Grenouille ‘s compulsion with scent steams from his deeply rooted desire to detect the ultimate aroma and in procedure discover his individuality. He is besides ostracised and unloved because he has no odor. This partially accounts for his cruel and inhuman behavior throughout the novel. On the other manus, Mishima ‘s novel, chronicles the life of a 13 twelvemonth old male child, Noboru who suffers from an Oedipus composite. Noboru ‘s obsessional behavior springs from his female parent ‘s matter with his function theoretical account Ryuji which he sees as treachery. Due to Ryuji ‘s visual aspect in Fusako ‘s life, Noboru starts to experience as if his place in his female parent ‘s life is decreasing, which made him travel through a series of force in order to accomplish his purposes, which is to acquire rid of Ryuji.
The difference in both the behavior and outlook of both supporters is decidedly due to the kind of childhood and upbringing they had. In Perfume, during Grenouille ‘s stay with Grimal, who is sixpence, Grenouille ‘s awful compulsion is unfolded as he was struck by an astonishing aroma of a immature miss with plums. He ”meant, of class, he had ne’er smelled anything so beautiful..he had merely one concern- non to lose the hint of her aroma ”[ 3 ]. This quotation mark shows the development of Grenouille ‘s compulsion, which is ‘scent ‘ , as he refers to the aroma of the miss as ‘beautiful ‘ , instead than the miss. Grenouille ‘s compulsion is shown as he did non care about non killing the miss ; alternatively, he cared more about non losing the miss ‘s aroma. In add-on, due to the construction of this quotation mark, the writer succeeds in attaching an image of Grenouille as an unnatural liquidator, which changes the personality of the character from experiencing commiseration for him at the beginning to a hardhearted individual.
On the other manus, in Mishima ‘s novel, Noboru ‘s compulsion is first displayed in a oblique manner, which begins when he starts descrying his female parent through the cryptic hole in his closet. He ” had a awful clip when she went near the wall mirror, for it hung in a corner of the room he could n’t see ”[ 4 ]. Noboru ‘s curiousness turned to compulsion is outlined in this quotation mark as he feels uncomfortable when he can non see his female parent ‘s bare organic structure. The fact that Noboru becomes highly disquieted makes him insecure and paranoiac, which makes the reader ‘s feeling about Noboru ‘s character instead curious. Furthermore, both Grenouille and Noboru are non to the full satisfied with themselves, every bit at this point, they know that they have an compulsion but alternatively, they end up going more insecure about themselves, in order to to the full make their end. Therefore, compulsion makes the characters oblique and heartless.
In Mishima ‘s novel, as Noboru starts to dislike his female parent ‘s lover, Ryuji, Noboru becomes more cautious and more covetous because he felt Ryuji was taking his place in his female parent ‘s life. This farther makes Noboru more paranoid about what his female parent is making. That there “ was something about Noboru this forenoon, about as if he knew ” and he “ waited in the bit by bit mounting cold. And, weary of waiting, he abandoned himself to an absurd phantasy ”[ 5 ].Here, Noboru ‘s paranoia is shown as he waits for his female parent ‘s return in the cold. On the other manus, in Perfume, as portion of his journey to accomplish the ‘perfect aroma ‘ , Grenouille decides to get down working for Baldini, who is a perfumer. During his stay, Grenouille learnt the procedure of distillment which he did non cognize that for substances “ like these indispensable oils, the distillment procedure is, of class, entirely pointlesa ”[ 6 ], this makes Grenouille even more agitated. Furthermore, it besides makes Grenouille more insecure as he feels that he can non accomplish his end. However, this did non do Grenouille alter his purpose of happening the perfect aroma ; alternatively, it leads him to remain off from people every bit much as possible, Grenouille “ began to retreat from them… Until now he had thought that it was the universe in general he had wanted to writhe off from. But it was non the universe but the people in it ”[ 7 ]. This quotation mark shows how the character starts to insulate himself and he besides realises that he does non merely detest the universe around him but the people in his society which increases Grenouille ‘s boisterous behavior and aggressive behavior towards people.
After the finds made by the supporters about their hatred towards the people around them, they decide to take a more aggressive manner in order to accomplish their end. In Perfume, Grenouille started by taking the first measure, of cognizing how to continue aromas by killing a puppy “ … Death descended on the puppy… Grenouille stood guard over his victim, for about 12 hours, until he noticed that the first wisps of carrion aroma was gone ”[ 8 ]We can see that Grenouille is heartless as he guards his victim for hours without any sense of compunction. The writer structures the sentence in a manner that makes the reader ‘s feelings about Grenouille to alter, from understanding for Grenouille to about hatred.
On the other manus, Noboru starts to physically demo his choler, which leads to Noboru ‘s first eruption of slaying which was shown when Noboru “ squeezed the cervix of the kitten by the cervix and stood up ”[ 9 ]and when Noboru “ squeezed a mountain of toothpaste onto his toothbrush and belaboured his gums till they bled ”[ 10 ]. In these quotation marks, we can see how Noboru is showing his choler by killing and besides harming himself in order to vent his choler. In add-on, we can see that both Patrick Suskind and Yukio Mishima used animate beings in order to show their supporters ‘ purpose and to besides bode the manner they both achieve their purposes.
At the terminal of the two novels, both supporters about achieve what they want. In Perfume, Grenouille eventually achieves what he has ever wanted, which is the aroma of Laure. “ The sound of the blow was dull, crunching thump. He hated it entirely because it was a sound… She no longer existed for him as a organic structure, but merely as a discorporate aroma ”[ 11 ]. The writer shows Grenouille ‘s inhuman treatment as he used enunciation such as “ crunching thump ” to depict the blow. On the other manus, Noboru besides decides to set an terminal his wretchedness by eventually poisoning Ryuji with a cup of tea “ Absently, Ryuji took it… Still immersed in his dream, he drank down the lukewarm tea. It tasted bitter ”[ 12 ]. These two quotation marks fundamentally show that both Grenouille and Noboru have eventually achieved what they want. They besides give the reader a wide position of what the supporters have done in order to accomplish this purpose.
In decision, the supporters ‘obsessions are fuelled by their utmost insecurities and paranoia towards the people in their society. Their violent actions subsequently isolate them from the society whose blessing they seek and finally lead to their devastation. It can hence be stated that the two writers have successfully revealed to the readers the manner these characters ‘ compulsions controlled and later destroyed their lives.
