Repossessed and The Hours. Why would these two seemingly contrasting novels of all time be compared. Are at that place any existent similarities that can be compared. The Hours is a fictional novel, written by American writer Michael Cunningham based on the existent life experiences of twentieth century novelist Virginia Woolf. This Pulitzer-winning book depicts the hardship-filled life of a talented English writer who is presently enduring from a terrible mental unwellness, presumptively depression. Virginia ‘s determination to perpetrate self-destruction might hold been provoked by the beginning of World War II in add-on to an implicit in or preexistent mental complaint. She is related to two other characters in the same book from the 1950s and 1990s that are all contemplating self-destruction because of their personal unsolved issues. Virginia Woolf has many common properties with the chief character, Kiriel, from the novel, Repossessed, written by American writer Amanda M. Jenkins ( A.M. Jenkins ) . The sensitiveness and utmost attending to item from both positions is what truly connects these two unusual chief characters together. This fictional novel is a Printz Honor-winning book that illustrates the perceptual experience of human life from a different position from the chief character ‘s point of view, an spiritual animal turned-human. His connexion to Virginia Woolf is eldritch because he lives in a different environment and has wholly opposite sentiments while still being affected by the universe and the back uping people around him. The differences of the two chief characters are decidedly outweighed by the similarities in footings of their features and the manner they notice and observe their encompassing universe.
There are of import similarities between the chief characters in both novels. For case, both characters are dependent on their enclosure environment. Virginia Woolf ‘s despairing pick to perpetrate self-destruction is marked by her terrible mental unwellness that has come back after a brief remittal and is get downing to overpower her. She is invariably hearing voices of people who are non at that place crawling up behind her. On the twenty-four hours of her expected self-destruction, she walks out the door as the storyteller describes what Virginia might hold been visualizing as she walked towards the river where she anticipated submerging herself, “ She walks purposefully toward the river, certain of what she ‘ll make, but even now she is about distracted by the sight of the downs, the church, and a sprinkling of sheep, incandescent, tinged with a weak intimation of S, croping under a blackening sky. She pauses, watching the sheep and the sky, so walks on. The voices mutter behind her ; bombers drone in the sky, though she looks for the planes and ca n’t see them. She walks past one of the farm workers ( is his name John? ) , a robust, small-headed adult male have oning a potato-colored waistcoat, cleaning the ditch that runs through the osier bed ” ( Cunningham, 1-2 ) . First, it is evident that Virginia notices the smallest pinpoints of the puting around her. She is seeking to retrieve the husbandman ‘s name ; she notices both characters have been noticed to be really argus-eyed of their environment and current events within their milieus like the distant bombardment onslaughts on England during World War II. Second, Kiriel ‘s experimental features are enabled when he possessed the teenage organic structure of Shaun Simmons, as he states, “ Anyhow, he stepped out into infinite and I jerked his pes back, and at that place I was on the kerb while he was doing his whoosh tunnel-of-light manner to the afterlife. All at one time I was in this bran-new, somewhat used organic structure. It was fast-motion fill-up, like pouring myself all at one time into a too-tight vas. I ‘m non used to boundaries, and to be all of a sudden constricted-to demand to take a breath, to hold a beginning and an end-gave me a feeling ofaˆ¦ good, about panic. But so everything else flooded in and I was swimming in a huge sea of centripetal information. I was n’t anticipating it, and it threw me into confusion. I ‘d been anticipating to merely take over, smooth and unnoticed-it expressions so easy to be human, sing that they ‘re all a small dim-but suddenly I could see, hear, experience. I was beautiful. Everything was beautiful ” ( Jenkins, 3-4 ) . Here, the chief character ‘s journey into a human organic structure was inspiring for him and he noticed how it felt to transform into a physical being. Kiriel besides sensed the impactful emotions, bodily esthesiss, and the inside informations of his milieus as he stepped into the organic structure of Shaun Simmons. In contrast, even though both characters show attentiveness, Kiriel wants to foster explore and get down to see human being whereas Virginia Woolf can no longer go on to populate.
A simple incident could happen and might trip a series of events started by that individual. The chief characters are proven to be really sensitive because in Virginia Woolf ‘s instance both the start of World War II and her deteriorating mental status cause her to do a despairing determination to stop her life by submerging herself in the River Ouse. Her last twenty-four hours, right before her expected self-destruction, she walks toward the river and begins to detect certain elaborate facets of her milieus, like the farm worker cleaning a ditch in an osier bed or the chemicals in the ambiance caused by distant enemy planes pelting England. As opposed to Kiriel ‘s exhilaration triggered by felicity from his first human interaction, “ huge sea of centripetal information ” ( Jenkins, 4 ) . The chief characters are decidedly sensitive, but in contradictory agencies, one character ( Virginia Woolf ) is impacted negatively by her complexness and the other character ( Kiriel ) is affected more positively because of his first clip incarnation.
Although both Virginia Woolf and Kiriel are observant and complex characters, their differences outweigh their obvious similarities. While they are both sensitive to environing events, they are sensitive for different grounds. Virginia Woolf had an overpowering mental unwellness that drastically altered her perceptual experiences in a more elaborate and unwanted manner ; she has begun to detect certain glooming things in her environment and the cheerless qualities of the scene. World War II has late begun and her serious psychological unwellness has come back after a brief intermission. Kiriel ‘s grounds for sensitiveness, nevertheless, are wholly opposite. He has ne’er experienced these emotional and physical esthesiss before because he was a discorporate devil during his being until that point of embodiment. He is really much happier than Virginia Woolf, so his experience as a homo is more positive and pleasant to him. Every minor event that occurs leads their determinations down an wholly different way due to different factors. It was around the early twentieth century and the beginning of a Second World War ; in add-on, Virginia Woolf ‘s mental unwellness prompted her perceptive alterations. Meanwhile, in Repossessed, Kiriel was in a modern clip period ( perchance tardily twentieth century or early twenty-first century ) . There are besides extra differences in sentiment between both novels. Repossessed was expressed in first party individual where the chief character experiences come from a primary resource ; it is a direct point of position of the chief character, Kiriel. In The Hours, the novel is described in 3rd party individual, which might state the narrative in a more contrastive manner than if it was told in first individual. Although both characters have opposite grounds for their utmost sensitiveness, in the terminal both Kiriel and Virginia portray really similar properties.
Despite some evident differences described in the comparing, the chief characters, Kiriel ( Repossessed ) and Virginia Woolf ( The Hours ) had really similar motivations for their insightful observations. Many different factors changed the characters ‘ conclusive sentiments about themselves and their universe around them. World War II was a really cheerless clip in add-on to Virginia ‘s mental illness that farther progressed into extraordinary experimental accomplishments. This merely proved to be gloomy and dull perceptual experiences from her point of position. While in Repossessed, Kiriel ‘s experiences truly differ in footings of clip period ( Late 20th century-Early twenty-first century ) and the absolute longing to eventually incarnate a physical life human organic structure. In add-on, Kiriel does non cognize the downsides of being human and he does non a annihilating mental unwellness. For Virginia Woolf and Kiriel, they had to either endure difficult times or the best of times to look more critically at themselves and their environmental milieus. Last, while all of these elements, face-to-face or similar, creates two boundless and advanced characters that, traveling through their experiences, the reader understands that two wholly contrasting characters from wholly different universes can be both sensitive and observant in their ain comparable ways.
Jenkins, A.M. “ Repossessed ” . New York, NY ; HarperCollins Publishers, text published 2007
Cunningham, Michael. “ The Hours ” . New York, NY ; Farrar, Straus and Giroux, text published 1998
