Virginia Woolf is one of the brightest authors of modernness. Her plants are non merely alone ; they are besides psychological, philosophical and really hard to understand. Her plants are normally treated as experimental psychological novels. It is certain to state that one of her brightest novels “ Mrs Dalloway ” is likely the most hard one. It is non easy to construe it at all. It is really hard to analyse its composing ( manner, genre, beat ) and the distinctive features of its content ( subject, secret plan, struggle, characters, thought ) . Using the principal technique of her woks – the watercourse of consciousness, Virginia Woolf tries to form the procedure of thought of her characters, to reproduce their slightest feelings, ideas, emotions. It stands to ground that the author is non interested in the existent universe. What she is truly interested in is the reading of the existent universe in the consciousness and subconsciousness. She dismisses the existent universe with its jobs and leaves for a better universe, a universe of feelings and emotional experience, rich associations and mutable senses. Virginia Woolf makes a reader enter the character ‘s interior universe, but non analyze the grounds that made the character do in this or that manner. That ground consequences in the impressionistic mode of image and manner: there is no clear signifier, but the text abounds in fragmental inside informations and characteristics.
The secret plan of the fresh “ Mrs Dalloway ” seems instead hapless at the first sight. The whole novel describes one twenty-four hours of August 1923 from the life of two chief characters – a romantic London lady Clarissa Dalloway, who goes to a flower store in the forenoon to purchase flowers for the eventide, and a modest clerk Septimus Smith – a contused veteran of the First World War. They live nearby, but ne’er knew each other and ne’er met.
The narrative of Septimus Smith is one of the most dramatic 1s in the novel. He belongs to the lost coevals. Virginia Woolf was non the first one to compose about those unfortunate people. Their life was described by Hemingway, Remark and many other authors. Septimus Smith was one of the first voluntaries who went to protect his fatherland. He did non decease, but what is worse, his psyche perished. He did non cognize what to make after the war. His great desire was to go a adult male of literature, but he was destined to go an ordinary clerk. When Septimus Smith saw the decease of his friend at the war, he realized that there were some jobs with his mental wellness – he remained apathetic to his friend ‘s decease. His mind protected his interior universe this manner. His life in London becomes a incubus: he can non experience ; he has no emotions. Virginia Woolf shows the broad scope of the effects of the World War. That is non the suffering life of one individual but the calamity of the whole coevals of people with no hereafter.
The character of Septimus Smith is considered to be the two-base hit of Clarissa Dalloway. Virginia Woolf herself stated that Clarissa and Septimus are two sides of one personality ; they are religious couples. The connexion between their characters is instead clear. In the forenoon Clarissa thought that something had to be done with her life. Her parents merely gave the life to her, brought her into this universe. But she has to populate, to endure, to travel to the really terminal. She is afraid of that life. If she did non hold a hubby she would probable pass her life sitting like a bird on a perch and doing no motions. But she has to feign that she enjoys her life, she has to entertain all their invitees and delay for the decease as rescue. Clarissa Dalloway treats the decease of a adult male she reads approximately in a newspaper as a heroic title. He was brave to go forth the universe of sorrow, but she is left with her heartaches. Thereby the self-destruction of Septimus Smith becomes the symbolic decease of Clarissa Dalloway, the release from her yesteryear. Having felt the affinity of psyches with the immature adult male, the inanity and absurdness of being, Mrs. Dalloway continues to populate. She feels the joy of life when the Sun rises and sets. She realizes the pleasance to wait for the following new twenty-four hours.
The thought that Clarissa Dalloway and Septimus Smith are two sides of one personality can be proven by one more fact. Both of them have three topographic points that stir the same feelings: “ the big infinite ” , “ the topographic point of communicating ” , “ the private topographic point ” . London is “ the big topographic point ” for both: Septimus and Clarissa. In the streets of London they both feel something that resembles agoraphobia – the panic of the immense universe that conceals the menace of decease. The scenery of the metropolis acquires the characteristics of ageless and posthumous universe. Sing the subdivisions of trees Clarissa thinks about the yearss after her decease and realizes that these subdivisions will non alter. Septimus besides sees his decease in trees whose subdivisions are full with life and energy. “ The topographic point of communicating ” – the topographic point where all societal contacts take topographic point splash up the same feelings: the impossibleness of communicating with other people. Clarissa ‘s topographic point of communicating is her parlour. She has to run into different people at that place ; he has to entertain them, though she does non desire it really much. The unexpected visit of Peter Walsh makes her feel really uneasy. He tries to hold a candid talk with Clarissa, but the conversation is turned into an empty talk. Septimus ‘ “ topographic point of communicating ” is the cabinet of his head-shrinker. But he can non happen solace at that place ; no 1 can assist him. Smith can non understand why he needs that, he can non stand all the people that gather around him and demand something that Septimus can non grok. Their “ private topographic points ” is the lone topographic point where the characters can be themselves. They remain with their feelings, emotions, and anxiousnesss. They do non fear the external universe merely when they are entirely. They find retirement and coveted purdah. They do non experience the panic of the immense universe ; they do non lose themselves in the closing of their “ private topographic points ” . Unfortunately these secret topographic points of retirement are parts of the universe. The hostile universe wants to absorb their lone sanctuary and do them, Clarissa and Septimus, belong to the crowd. Both of them make a protest against that. But everyone has his ain flight from the state of affairs: Septimus Smith chooses suicide and Clarissa returns to her invitees.
