The verse form ‘s rubric suggests that the capable affair of the verse form will be about a negative experience and about agony, nevertheless, the verse form up until its concluding lines is apparently a jubilation of pastoral life. A Tagore demonstrates the differences between nature and human civilisation, whereby the E is portrayed as a civilisation more in harmoniousness with nature while the West is figured to be more in touch with the negative effects of civilisation.
The talker opens the verse form depicting the beautiful scenery in the Indian countryside as the Sun is puting. The imagination used in the first lines serves to arouse a amply sensuous ambiance and a mellow and brooding temper. The description of the “ sinking ” Sun resonates with the description of the “ late ” afternoon freshness arousing a sense of dark falling and the twenty-four hours coming to a stopping point. The description of the “ glow ” conveys the soft deceasing visible radiation of the Sun as it sets. The talker says that the Sun “ extends ” its visible radiation proposing a relaxed slow motion of stretching out. The sense of this verb connects with the verb in the following line which describes how the air current has “ dozed ” off. This usage of personification implies that forces of nature seem to be weaving down and resting at the terminal of the twenty-four hours.
The first two lines are short end-stopped declaratory sentences and aid to set up a slow brooding gait. As the verse form continues the poet makes increasing usage of enjambement ensuing in longer undulating, weaving lines, the consequence of which is reinforced and emphasized by the fluctuation of the long and short line lengths and the usage of indentures throughout the verse form. The outline and punctuation therefore both contribute to the relaxed and peaceable temper of the verse form.
Throughout the verse form Tagore employs simple enunciation that describes the natural and pastoral imagination of the landscape. On the 3rd line the talker describes an ox cart heading to market at the terminal of the twenty-four hours. This ocular imagination emphasizes the simpleness of life in an undeveloped state as it describes basic and crude agencies of transit which is so slow that it moves at a “ crawl ” . The fact that the cart is “ loaded with paddy-straw ” shows how undeveloped the economic state of affairs is in rural India. Although its finish is far off the description is non needfully negative because no agony is described and it is portrayed every bit merely as another portion of the natural landscape. The talker begins the 6th line by depicting a male child who has been working all twenty-four hours fishing, nevertheless merely like the image before there is no sense of fatigue or agony implied, in fact it seems as though the male child fishing is relaxed, at leisure and peaceable and blends into the landscape. The poets use of topographic point names and people ‘s names helps creates a sense of familiarity, acquaintance and community.
The talker represents the human universe and the natural universe coexisting in natural harmoniousness. For illustration the 2nd stanza opens with an image of “ freshly cut sugar-cane ” following to “ trees washed by rain ” , which presents a mark of human labor and agribusiness following to an image of fertile nature. The descriptions used in the 2nd stanza ( “ freshly cut ” , “ fresh air ” , “ washed ” and “ wet grass ” ) have strong associations with H2O and connote birthrate and growing.
In and amongst this landscape the talker describes two friends walking and speaking about household intelligence. The image of these two friends interacting makes seem like an idyllic image of harmoniousness. The fact that they talk about matrimony is emphasized by the “ bloom ” of the bhati flowers which gives a sense of the birthrate of nature, merely like a matrimony, but besides connotes the poets sense of acquaintance with rural India. The sense of the birthrate of nature is farther emphasized by the “ balm of Caitra ” , the “ jarul trees ” and the “ Koel bird ” . The sensuous imagination, redolent ocular images and audile imagination and olfactive imagination helps make sense of the birthrate and the profusion of nature in the rural Indian countryside and the sensuous imagination besides helps to put a really typical matrimony like atmosphere because of the joy that matrimony brings. The usage of the simple enunciation shows the simpleness of life for rural communities in India, throughout the verse form the linguistic communication is sensuous, graphic and redolent but about uniformly actual than nonliteral. The usage of simple actual linguistic communication makes the verse form seem unselfconscious, insouciant and natural. This emphasizes the talkers feelings of empathy and harmoniousness with nature. The usage of this simple enunciation contrasts with the usage of Indian idiom words helps to make a sense of local Indian genuineness.
However notice how all this positive and tranquil ambiance is destroyed by the last stanza where the ambiance changes instantly to negative as the wire arrives. The poet uses an disconnected stoping because he wants to give no more inside informations of the western universe since for the past two stanzas he has been in touch with nature and he does n’t desire to go forth that universe of harmoniousness with nature into the western universe of ferociousness and devastation. Look at how the poet has used the enunciation of “ pounded ” to give a really black and despairing tone to the verse form, this is starkly contrasted in the old two stanzas where everything seems to be weaving down and everyone seems to be in harmoniousness with nature, nevertheless Tagore by utilizing the last stanza emphasizes how the western universe is ever at war with each other and seeking to derive laterality, the poet besides inquiries whether the western universe can of all time be in harmoniousness between themselves and nature if they are invariably developing their states and at war.
In decision Tagore ‘s verse form “ Injury ” connotes how the Indian countryside is a topographic point full of harmoniousness and repose. He farther emphasizes the tranquil and harmonious ambiance by demoing the community and their grasp of nature. This leads to the point that Tagore thinks that the eastern universe in more in touch with each other and their milieus, while the western universe is portrayed as a topographic point where all that people think about is decease and force and any other agencies necessary in order to do certain that their state can rule the western universe.
