The Ways of White Folks is of black and white Americans on ineluctable hit classs ( Bomarito, 159 ) . This quotation mark is saying that this aggregation of short narratives in this book is about how black Americans collided with Whites in certain state of affairss and how they were handled by the black Community. The Blues I ‘m Playing, ‘ foremost published in Esquire magazine ( 1934 ) , is in Hughes ‘s aggregation of 14 short narratives, The Ways of White Folks. This narrative, like the bulk in this aggregation, shows the racial interaction between white and black folks and how black Americans resolve the struggles ( Faith, 1995 ) . The chief character in ‘The Bluess I ‘m Playing ‘ , Oceola Jones is a younger black wind instrumentalist who is fighting with money and clip to analyze her dream of wind music. Mrs. Dora Ellsworth is an older white, affluent, widow who is sort and generous, but she can non know apart great art. This short narrative pinpoints the position that is generated by the white people in this epoch that inkinesss and Whites can non portion the same positions and that inkinesss do non hold the same societal position as white people. Although Oceola knows what good music is and the art of cognizing how to play it, her white frequenter, Mrs. Ellsworth, does n’t understand that type of art it is automatically assumed by Mrs. Ellsworth that it is no good and a waste of clip and money. Oceola tries to set race behind the art of music but, Mrs. Ellsworth believes that inkinesss have no say in what is art and what is non. The Harlem Renaissance at this clip was one of the lone things that saved the art for Blacks.

The move into the Harlem Renaissance was a starting point in Hughes ‘s life, non merely because this is when he started college, but because it brought him to Harlem, Manhattan ‘s jammed African American vicinity and the nucleus for the Harlem Renaissance, a turning cultural that Hughes can non hold on his head around ( Franks ) . Hughes besides explored Harlem ‘s enraptured night life. The impact that this had on Hughes was written in ‘The Weary Blues, ‘ which is a verse form about a piano participant executing in a Lenox Avenue cabaret. In a down tone, the adult male sings the ‘Weary Blues ‘ , a vocal of ongoing wretchedness and desperation, all throughout the dark. Ultimately, the blues seem to hold a good consequence. Equally shortly as the piano player got all of his hurting out by singing his manner through the dark, the vocalist was able to get away his quandary by traveling to bed. The vocalist ‘s battle to understand the piano player ‘s hurting apprehends the blues delivering him and demoing the vocalist something in deeper nature of Harlem in the 1920 ‘s, which was a topographic point of well-known poorness on top of a showy dark life. This verse form, unlike most verse forms written about affluent adult females and the power of leaders, Hughes wrote about the in-between category. Hughes wanted to allow people cognize how the in-between category felt about the manner of life in the 1920 ‘s and how they can back up themselves and they do n’t necessitate the aid of the hierarchy. ”The Aweary Blues ‘ , put into words, the life that black Americans in Harlem were populating which were happy and sad, which any reader could interpret into their ain feelings. ‘The Aweary Blues ‘ was received by the populace, and in 1925, it won foremost prize in a literary competition sponsored by Opportunity, which was a magazine published by the National Urban League ‘ ( Franks ) . This is stand foring inkinesss talking out against race and how they should be able to go authors and poets. ‘Throughout his life, Langston Hughes addressed the inquiry of how race and poesy ought to be related. ‘ ( Franks )

One work of poesy that truly sought after racism that Hughes had written was, ‘The South ‘ , which is one of the rare cases where Hughes uses race as a subject although, race comes 2nd to the miss next to nearing God in the verse form. The verse form is set in the South, and shows barbarous sarcasm which was inkinesss moving like it was all right for the Whites to speak down on them and consume them from their pride, but in actuality they wanted equality. ‘The poem provinces how Hughes experience in the Deep South were concentrated in the two summers he spent touring with Zora Neale Hurston in the 1920s, during the clip he was touring the South he saw a hard-boiled bias that made Northern racism picket by comparing ‘ ( Bloom, 52 ) . Lynching ‘s, in peculiar, were Southern incidents, and the Christian philosophy was often the lone manner to warrant that and outlaw the procedure. The profusion of Southern black common people tradition seemed to make out to Hughes and became the edifice blocks of his work, but the inhuman treatment of the scene in the South lastingly impressed itself on Hughes ‘ head and his plant. This verse form reflected him shadowing inkinesss in the South and seeing all of the racism, but at the same clip saw how much pride inkinesss had and how they did n’t demo ache when talked down or beaten by the white Southerners. ‘The Song for a Dark Girl, ‘ was besides linked to the verse form, ‘The South, ‘ with the same significance. This verse form was written by Hughes and turn from composing about love and committedness to composing about the turning struggle between races. Becoming the most viciously racial verse form Hughes had written, ‘The Song for a Dark Girl, ‘ the Harlem Renaissance allowed him full freedom to concentrate on the black experience in itself and to go forth the struggle between races entirely. During this clip with integrating going more and more of a world, Hughes struggled to keep on his original place of being impersonal to the state of affairs. Hughes realizes in the verse form that the idea of integrating could work and gave him the ability to compose his last work that is being analyzed which is, ‘Let America Be America Again ‘ which its words contributed in the battle for integrating and seting a halt to racism, cognizing that segregation and racism needed to be stopped.

Throughout Hughes ‘s life of composing the American Dream was something that people could conceive of through Hughes work it must be something detained to anyone who was n’t white, specifically to the inkinesss. Hughes wrote his Hagiographas refering the American Dream non to assist him or acquire out his feelings, but to assist others of African American descent to accomplish something that everybody should hold the right to hold. ‘During World War II, Hughes, noticing on the American Negroes ‘ function in the war recognized that America is a land of passage ‘ ( Votteler, 107 ) . ‘And we know it is within our power to assist in its farther alteration toward a finer and better democracy any citizen has known earlier. The American Negro believes in democracy. We want to do it existent, complete, feasible, non merely for ourselves the 15 million dark 1s, but for all Americans all over the land ‘ ( Votteler, 108 ) . ‘Let America Be America Again ‘ , calls for the attending of a dream by people who ne’er got to see it right off. The poem speaks of the freedom and equality which America boasts, but ne’er had. The verse form is looking frontward to a twenty-four hours when ‘Liberty is crowned with no false loyal garland ‘ and America is ‘that great strong land of love. ‘ Hughes though, is non overlooking the fact that there is a ‘looked downed upon, ‘ Negro ; Hughes included in the verse form, every bit good as, the hapless white, the Indian, the immigrant husbandman, and worker portion the dream that has non been achieved. The dream so still labels what it wants person to make, but these people are non able to accomplish the dream because of racism and the American Dream being untouchable to inkinesss, immigrants and lower white category citizens is n’t just in the eyes of Hughes and many others. In ‘Freedom ‘s Plow ‘ he points out that ‘America is a dream ‘ is the seed to freedom and non merely should it be available to Americans but, to everybody the in whole universe. The American Dream of brotherhood, freedom, and democracy should be applied to anybody of any race that comes into America.

‘The Negro Speaks of Rivers ‘ is a poem Hughes wrote based on a myth. ‘Written in a narrative voice, the verse form begins, ‘I ‘ve known rivers. ‘ The ‘I ‘ is a corporate voice of black people from ancient times ( 3000 b.c.e. ) to the present ‘ ( Franks ) . The storyteller is talking about people rinsing themselves in the Euphrates River, edifice huts near the Congo, raising pyramids by the Nile River in Egypt, and in conclusion, watching the Sun set on the Mississippi River. The perennial line of the verse form which is, my psyche has grown deep like the rivers, describes the unsmooth spots that inkinesss had endured. Hughes repeated the missive ‘I ‘ in seven lines out of the verse form which makes the reader focal point on the fact that the storyteller is the black American ‘who speaks of rivers ‘ , and on the effects of the tie between his history and the rivers. ‘In Hughes ‘s autobiography The Big Sea, he says that he wrote the verse form on the dorsum of an envelope on a train merely outside St. Louis on his manner to Mexico, Missouri to see his male parent during the summer of 1920 ‘ ( Sisler, 78 ) . Hughes said that he remembers being confused at the fact that his male parent had a batch of hatred toward their ain race. Hughes ever wrote with such passion and high gratitude for his race said his ideas ran into history and particularly the Mississippi River and so on traveling to the other rivers in the universe. After believing throguhly about the rivers and history, Hughes wrote the verse form, ‘The Negro Speaks of Rivers, ‘ in approximately 10 to 15 proceedingss. Hughes concludes that he had changed ‘a few words the following twenty-four hours or possibly crossed out a line or two. ‘ ‘The Negro Speaks of Rivers ‘ was given positive reappraisals by both black and white critics, and it was published, in interlingual rendition, in a paper printed in Germany. The verse form has been celebrated for Hughes ‘s passionate credence of his race, his combination of lyrical and heroic embrace of his heritage, and him seeking to repossess the beginnings of African Americans. Hughes did n’t understand why his male parent hated their race so much, but over the old ages had concluded that his male parent may hold had disliked his civilization because, in his eyes, they were lazy. Hughes noticed that during the clip period of him composing about how inkinesss want to carry through the American Dream he had noticed that no 1 was really taking a base ( Sisler, 79 ) .

All the Hagiographas that have been analyzed were refering to the agencies of societal racism and the limitations of African Americans populating the American Dream. Hughes seemed like a realist and was one of many African American authors who thought that it was clip for America to be mature and abide by its ain fundamental law and give freedom to any adult male that lives in the United States. Hughes composing depicts the Harlem Renaissance, as this was a major clip for a batch of approaching African American authors. Langston Hughes was a powerful African American author during the Harlem Renaissance that helped set racial favoritism in the eyes of Whites and tried to carry inkinesss to travel out into the universe and go something. Hughes ‘ purpose was to buoy up up and give hope to fellow black Americans. ‘Using his, black folklore, and personal experiences, Hughes reached to a batch of Americans with his Hagiographas ‘ ( Franks ) . By concentrating on the concerns of racism and black Americans seeking to make the end of their ain American Dream, Hughes Hagiographas contributed to civil rights motions and set a batch into position of what inkinesss endured during the Harlem Renaissance.