Bing the huntsman that I am and understanding how peaceable nature can be take me to take the romanticist attitude of a deepened grasp of the beauties of nature. I feel that with a nature background I will more closely associate to the plants analyzed because it is something I have expierienced myself. The plant I have chosen to stand for the romanticist attitude of a deepened grasp of the beauties of nature are “ Ode to the West Wind ” by Percy Shelley and “ To Autumn ” by John Keats. Both poets dive deep into the universe of nature with descriptive narratives from a natural point of position such as how Shelley awards and portrays the western air currents as everything from “ angels of rain and illuming ” or “ wild spirit, which art traveling everyplace ” merely takes a deeper expression into the air current and what it does.

First, I would wish to discourse the deepened grasp of the beauties of nature in the literary work titled “ Ode to the West Wind ” by Percy Shelley. I enjoy, but besides relate to this peculiar verse form because I love a fresh zephyr and have many times watch what a air current can make. The subject of the work is one of grasp for the West air current and everything that it does as shown in the lines “ One excessively similar thee: tameless, and Swift, and proud. ” and “ Oh! raise me as a moving ridge, a foliage, a cloud! ” Besides, it is fantastic how good his vivid usage of descriptive item pigments a image of nature as you read such as “ The sea-blooms and the oozy forests which wear… The decrepit leaf of the ocean, know. ” Not merely is nature analyzed and the air current besides by what it does, but nature and weave both are slightly personified. “ Thy voice, and all of a sudden turn Grey with fright, And tremble and despoil themselves: O hear! ” This is talking of the sea-blooms and oozing forests the writer describes in the verse form and he is stating that they know the voice of the air current and it makes them tremble with fright. It seems that the writer may hold in a manner idea or even fantasized about being more of a portion of nature as a manner of linking to this western air current. It is apparent in a figure of topographic points throughout the verse form, such as “ If I were a dead foliage 1000 mightest bear ; If I were a fleet cloud to wing with thee: A moving ridge to puff beneath thy power, and portion. ” Not merely is this grounds of him naturalising himself and seting himself into nature by comparing himself to a cloud or a foliage that the air current carries, but he personifies nature by stating that the moving ridges, beneath the air currents, were puffing. I believe that this writer, Shelley, likely enjoyed really much researching the deepened grasp of the beauty of nature and decidedly appreciated it to give such an in deepness work to a portion of nature.

The 2nd work, “ To Autumn ” by John Keats, I chose because he looks at fall in every natural facet of what is traveling on during this clip of twelvemonth and truly set you into this clip frame when reading this no affair what clip of twelvemonth you are presently sing. Keats may non hold understand wholly the deepened grasp of the beauties of nature, but he was certain to understand and obtain a deepened grasp for the clip of twelvemonth that is associated with the word “ fall ” . Again we are put into the olfactive kingdom by descriptive narratives of nature in this work, an illustration that I like is “ Then in a lamenting choir the little gnats mourn… Among the river sallows, borne aloft… Or droping as the light air current lives or dies ; And adult lambs loud bleat from hilly bourn ; Hedge-crickets sing ; and now with soprano soft. ” This non merely puts into perspective what is traveling on and allows you to make your ain mental image, but once more personifies nature by giving the air current the option of life or deceasing when it is common cognition that air current can make neither. It is my sentiment that Keats, in this verse form, defines the kernel that is “ autumn ” from the really first and dwells deeper looking of all time closer into the season of fall. It is this definition “ Season of mists and laid-back fecundity, Close bosom-friend of the maturating Sun ; Conspiring with him how to lade and bless… Wtih fruit the vines that round the thatch-eaves run ; And make full all fruit with ripeness to the nucleus ; To swell the calabash, and plummet the Pomaderris apetala shells… ” So, the verse form as a whole seems to be a deep, lyrical expression into how Keats defines, positions, and appreciates the season of fall.

I enjoy really much the pleasances of acquiring lost in nature particularly, but non limited to the beauty and interior workings that all come together to make “ nature ” as we know it. Seperate and individualized the parts of nature are merely individual parts, such as a tree or the grass, H2O or the air current that moves the foliages, but as a whole they combine to do something with more colour and more beauty than anything every pondered by my head. It is this grasp that I portion with both writers and for that ground that I relate to them and their Hagiographas.