Talking about the scene of Young Goodman Brown, it is possible to state that the narrative clearly provides the information on the historical penetration into the major characters and their life-time activities. Therefore, “ Young Goodman Brown ” takes topographic point in the seventeenth century during the Puritan Time Period. He lives in the Salem Village, Massachusetts near the old pagan wood. This information gives the reader an thought about devilry and isolation because at that clip the Salem Village was associated with things, which were non connected to Christianity or some other “ good ” things. In add-on, the forest scene ( wild and pagan ) supports the thought of evil and witchery that pervades the narrative. In this instance, the forest scene is a symbol of the Satan ‘s residence. At that clip, it was believed that the forests were the Satan ‘s home ground.
On the other manus, “ The Rocking-Horse Winner ” does non supply the reader with the clear information ( day of the month or clip ) on the narrative. We can merely cognize that the narrative takes topographic point in England instantly after World War I. The topographic points where the narrative took topographic point include merely a place in an unknown location ( near or in London ) , Lincolnshire, London ‘s Richmond Park, and Hampshire County. In add-on, the writer of the narrative tells about the major races in England that were held in Liverpool, Surrey, South Yorkshire, and more.
Concentrating our attending on the scene of “ Young Goodman Brown, ” it is possible to state that it presents a gloomy atmosphere where horrid sounds, perverted rocks, clouds and atrocious images of trees bring the reader to a atrocious and dark ambiance, which pervades the narrative. Brown walks into “ aˆ¦the forests, but so shortly crosses the boundary line into Allegoryland where enchantresss and aces fly through the dark to go to a Black Sabbath ” ( Graham 70 ) . In this instance, danger becomes really existent because of an ambiance of intuition and fright.
In contrast to “ Young Goodman Brown ” , the ambiance of “ The Rocking-Horse Winner ” is non so much gloomy and dark. In bend, the narrative ‘s ambiance is comparatively tense due to the fact that Paul is eager to happen fortune in order to assist his female parent since she states that her hubby ( his male parent ) does non fulfill her major demands and outlooks. Additionally, he is luckless, and therefore, makes her luckless as good. Therefore, Paul decides to go lucky in order to help his female parent and do her happy. As he experiences the deficiency of love, in return, he expects to have some type of love from a female parent. Furthermore, the narrative trades with how Paul ‘s parents, particularly her female parent Ob with material wealth instead than demoing true love to her kids. She is greatly obsessed with money, really avaricious and irresponsible. This narrative clearly shows a certain life style where individuals are more concerned about money that symbolizes the deficiency of love and fondness than any other existences. Throughout the narrative, we can see how Paul is eager to assist her female parent even to the point where he loses his ain life. All these facts make the narrative ‘s atmosphere bitter and sympathetic. Ege admits that the narrative ‘s atmosphere “ contains the fairy-tale ambiance of imaginativeness ” ( 47 ) . Supporting this point of position, it is possible to state that the narrative genuinely includes fairy-tale elements and “ clears with the chantlike voice of a fairy narrative ” ( Ege 43 ) .
However, both characters are affected by ambiance that influences their behaviours and attitudes ( for case, doing them emotional or making a temper of fright ) . The major similarity of ambiance between these two narratives is that both 1s have a antic and cryptic ambiance. For case, in “ The Rocking-Horse Winner, ” Paul has a religious gift and is able to hear an unknown voice, which tells him the name of the following Equus caballus that will win the race. In bend, Brown communicates with the Satan, who reads him prophesying about wicked priests and stewards, converting him that every individual is iniquitous from his or her birth.
Taking the above-named information into consideration, it is possible to pull a decision that the two ascertained narratives have some things in common in regard of the scene and atmosphere. These are the two powerful and informative narratives, which show the readers that the love of money is a destructive force, every bit good as the relationship with the immorality may take to a loss of assurance and to societal isolation.
