This drama is fundamentally a comedy produced by Shakespeare. It involves Athenian immature lovers together with a group of other amateurs. It concerns the interaction of the two groups with Athens Duke called Theseus, the Amazon ‘s queen known as Hippolyta and the fairy narrative dwellers of a moony wood. This drama presents a cleverly interlacing liquors universe and the foolishness adventures which are largely ludicrous. The person ‘s love is being presented as a poetical piece of captivation which can on the contrary be suspended and renewed. Helena ‘s statement in act 11 scene two that ; “ We, Hermia, like two unreal Gods, Have with our acerate leafs created both one flower, Both on one sampling station, sitting on one shock absorber, Both warbling of one vocal, both in one key, As if our custodies, our sides, voices and heads, Had been integrated. So we grew together, Like to a dual cherry, looking parted, But yet an brotherhood in divider ; Two lovely berries molded on one root ; So, with two looking organic structures, but one bosom ; Two of the first, like coats in heraldry, Due but to one and crowned with one crest, And will you lease our ancient love asunder, To fall in with work forces in contemning your hapless friend? It is non friendly, ‘t is non maidenly: Our sex, every bit good as I, may call on the carpet you for it, though I entirely do experience the hurt ” , sums up the way of this drama ” , ( Shakespeare, pg 270 ) provides the general way this drama takes..
Among the subjects which feature conspicuously in the drama is the subject of love. There is what is being referred to as “ the dark side of love ” . At some point these faeries mistook lovers and applied the love part to the eyes of Titania, to do her love Bottom blindly, they really made visible radiation of love through this procedure. Several troubles have obstructed love in the drama. For case, both Hermia together with Lysander met with Puck as they attempted to get away through the forest. No admiration Benedetto C. indicated that “ love is sincere, yet deceives and is deceived ; it imagines itself to be steadfast and changeless, and turns out to be delicate and fugitive ” ( Green, pg 380 ) . Both Hermia and Lysander finally married and lived merrily thenceforth and as a consequence climaxed the subject of love in the drama. Even later on when they watch the narrative of the unfortunate love spouses ( Pyramus & A ; Thisbe ) they laugh about it non cognizing the shadows that surrounded their love. . It was reasonably much like the 1 they were watching merely that it ne’er ended up in decease like that one due to grounds they are non cognizant of in the first topographic point.
There is besides the subject of loss of single individuality. The individualities which are both of phantasy and even world every bit good blur the drama which the author believes makes “ that pleasing, narcotic languor associated with the faeries of the drama ” ( Croce, pg 387 ) . A closer expression at the drama reveals that really the dislocation of the individualities of the individuals in the drama is what brings about the type of struggle that is witnessed in the drama. It all starts from the fact that Oberon and Titania could n’t acknowledge each other in the relationship and as such put a case in point where it was a hazardous matter for any group involved in love to unify because a fairy difference had caused a perturbation of nature. In the wood, Puck could n’t separate between one set of lovers and the other and hence in the procedure, placed the flower juice in the eyes of Lysander alternatively of Demetrius as was intended. This loss of individualities though, goes beyond film overing the specificities to making the existent individualities found in the community and as such makes it possible to understand the writer ‘s perceptual experiences and thoughts about the issues of love and besides matrimony. By and large, it is the act of losing individualism to happen an individuality for credence by another individual, is really the power that drives the events the drama.
The other subject having conspicuously in this drama is that of equivocal gender. The drama brings into focus elements of buggery, mandatory heterosexualism, homosexuality and even sapphism. All these are believed to show the cultural societal mores which were in topographic point during the clip when the drama was written. The drama presents some cases of fagot breaks which carry with them elements of ‘homoerotic meanings ‘ . The universe that the writer presented in the drama in footings of gender is one that can be described as ‘topsy-turvy ‘ .
This drama besides provides a different significance and turn to the significance and application of feminism. Male laterality is prevailing in the full drama. For case when Hermia and Lysander escaped through the wood and went to get married in Athens, it is made to look as if to a adult female, matrimony is the ultimate thing while work forces on the other side can hold their clip trailing bigger and better things. In response to treble nuptials illustrated in the drama, Luis Mentrose says that “ The gay decision in A Midsummer Night ‘s Dream depends upon the success of a procedure by which the feminine pride and power manifested in Amazon warriors, genitive female parents, boisterous married womans, and wilful girls are brought under the control of Godheads and hubbies. “ ( Bevington, pg 25 )
The drama besides brings out a certain significance that a matrimony ‘s consummation, is dependent on how the control over adult females, was transferred from the miss ‘s male parent and finally to girl ‘s spouse. The flowers are every bit good used to convey out a message about gender. The juice from the flowers which was used by Oberon was really used to connote or typify the adult female ‘s catamenial blood and besides the blood shed by virgins during their first sex. The former stand foring a adult female ‘s power while the latter stand foring work forces ‘s power over adult females. The drama hence seems to show some signifier of antediluvian authorization. The really fact that in Athenian Torahs, a adult female who fails to get married her male parent ‘s pick for her as a hubby should be put to decease is retrograde and outdated. The occurrences in the land of the faeries are wholly contra every bit far as the Torahs of Athens go. What the lovers underwent in the forests and even the dream by Bottom reflect the scenario where in the land of the faeries at times of jubilations and carnival, the male control was brought down by females.