One of the most revenant elements in Prufrock ‘s vocal is the usage of nutrient to typify how the platitude of the talker ‘s life stifles his emotions. This is expressed through the exaggeration: “ I have measured my life with java spoons ” ( Eliot 51 ) . It is clear that the talker can non really mensurate out his life with java spoons, but the line expresses that Prufrock ‘s being is so apparently ordinary and mundane, it can measured with utensils. Eliot ‘s usage of nutrient enunciation besides explains the talker ‘s positions on the universe around him that he has become so used to. “ And it would hold been deserving it, after all / After the cups, the marmalade, the tea ” ( 87-88 ) . These elements arranged in parallel reflect the talker ‘s defeats with his societal kingdom which lacks any originality or freshness. He has become trapped in a consecutive modus operandi. The consequences of his emotions being stifled are clear in the euphemisms he makes about consummating his possible relationship: “ To hold bitten off the affair with a smile / To hold squeezed the existence into a ball ” ( 91-92 ) . His indecision is reflected in the fact that he ca n’t even straight say what he intends to make. Eliot ‘s utilizations of nutrient express that his life lacks anything particular. His yearss have become eventides, forenoons and afternoons or tea, bars and ices. As he ages, he has come to footings with a feeling of entrapment within a society where it appears nil truly happens. Consequentially, Prufrock lacks the ability to prehend the twenty-four hours with his possible lover.
Last, T.S Eliot uses the metropolis as a symbol to picture the talker ‘s desperation depicting “ ungratified darks in one-night inexpensive hotels ” and “ sawdust eating houses ” ( 6-7 ) . This is farther illustrated in the simile: “ streets that follow like a boring statement of insidious purpose ” ( 8-9 ) . The streets of the metropolis are being compared to a boring statement. The turns and bends of the metropolis streets illustrate a sense of entrapment for the talker. The encapsulation that he feels within the metropolis is comparative to the feeling of entrapment that he feels within himself. That feeling of entrapment is what proves to be his ruin. At the terminal of the verse form, we see a displacement in puting from the sordidness of the metropolis to the Eden of the seaboard. Prufrock is able to happen alleviation from his entrapment in this fabulous universe filled with long-haired mermaids and wild, free fluxing moving ridges. The sea provides the talker with a sense of freedom where he can prosecute with adult females. This grounds is proof that he wants to hold dealingss with his lover, but fears his desperation will forestall him from making so. Therefore he feels trapped inside his ain psyche. He can merely woolgather of a universe where he could linger “ in the Chamberss of the sea / By sea-girls wreathed with seaweed ruddy and brown. ” Before long, the talker is awoken by human voices and he feels overwhelmed one time once more, returning to world.
T.S Eliot ‘s The Love Song of J. Alfred Prufrock is alone in the sense that it allows the reader to dig into the character unconsciously. While reading, we are non told virtually anything about Prufrock ‘s love involvement, their relationship or the phase it is in. In fact, we are non told anything about Prufrock either. His thinning hair indicates his ripening, but other than that we know small about his physical visual aspect or his yesteryear, yet somehow by the terminal of the verse form we can place this adult male and possibly even place with him. Eliot ‘s usage of symbols unconsciously paint a graphic character who inquiries his manner through life, trapped by the norms of his society, desperation and a sense of confusion that follows him about wherever he goes. He longs to interrupt free and prosecute his lover, but is excessively overwhelmed. The deficiency of inside informations make Prufrock ‘s narrative universal. The character, emotionally stifled, is representative of anyone who has of all time felt trapped in a province, but longed to interrupt free. The narrative of an aging Prufrock encourages it ‘s reader to carpe diem or prehend the twenty-four hours.