Most famous plays

In the Prologue, line six, Shakespeare tells his audience that “ A brace of star-cross ‘d lovers take their life ” . How far does Shakespeare fix his audience for the tragic terminal of Romeo and Juliet?

It is good known that the narrative of Romeo and Juliet is likely the most celebrated love narrative of all time written. The tragic stoping of the narrative is every bit good known.

Romeo and Juliet is one of Shakespeare ‘s most celebrated dramas. It is the narrative of two “ star cross ‘d ” lovers from conflicting households. The audience follow them as they fall in love and travel to extreme lengths to be together. The narrative ends with the tragic decease of the two lovers which brings together the two households in their heartache.

This narrative ‘s stoping differs from the typical traditional love narrative fairytale type stoping along the lines of “ … .. and so, they all lived merrily of all time after. The End. ” That type of stoping foliages an audience feeling good at the terminal because it contains the feel good factor – a happy stoping. It is the deficiency of this usual type of feel good factor in Romeo and Juliet which makes it necessary for Shakespeare to fix his audience for the relatively rough stoping of the narrative.

To fix the audience for the tragic stoping Shakespeare makes extended usage of the literary technique of boding in which he drops intimations about the secret plan developments to come subsequently in the drama. By clever usage of prefiguration, Shakespeare is able to successfully pull strings the audience.

The overall construction of the dramas an of import portion in fixing the audience for the tragic result.

Most people are cognizant of the impression that first feelings are of import. Shakespeare takes advantage of this construct in showing Romeo and Juliet to the audience. Shakespeare takes into consideration the strong impact of first feelings in building the construction the drama. It is obvious that he carefully chose what order to set the events in and which bits to foreground, for maximal consequence. Evidence of this can be seen in the cardinal state of affairss affecting first feelings – the drama ‘s debut, the nature of the gap scene, Romeo ‘s first visual aspect and the lovers ‘ first meeting and conversation. In all of these, the sense of premonition is ever present.

At the beginning of the drama, the audience are likely to be unfastened minded because they are eager to watch the drama. Due to this they are likely to be more waxy at this phase than in ulterior phases in the drama. Romeo and Juliet opens with a prologue. The obvious intent of the Prologue is to present the drama to the audience. However, it besides has a more important and deeper map. The chorus is the most obvious illustration of dramatic sarcasm in Romeo and Juliet -the whole drama is watched by the audience whilst cognizing the secret plan and the stoping.

The Prologue sets the scene for the narrative and states the flood tide of its secret plan and whilst making so gives away it ‘s stoping. This starts the ambiance of predicting. In drumhead, the Prologue tells us that the stars control the lives of Romeo and Juliet, and that they are doomed to decease because the stars are against them. The Prologue refers to an doomed twosome utilizing the metaphor “ star-cross ‘d ” , which literally means against the stars. This is really important since at the clip that the drama was written, it was a common belief that the stars controlled people ‘s fates. So the Prologue itself is responsible for making this sense of destiny by informing the audience so really early on that Romeo and Juliet will decease – and this is done even before the drama has begun! Consequently, the audience will so watch the drama anticipating the conditions set by the Prologue to be fulfilled. It seems that the destiny from which Romeo and Juliet ca n’t get away is in fact the construction of the drama itself.

To be exact, it has to be said that the Prologue is non boding since boding merely intimations at precise what will go on subsequently on, whereas the Chorus in the Prologue really tells outright what is to come instead than merely intimation at it. The 2nd poetry of the Chorus ‘ sonnet really summarises the secret plan of the drama:

“ From Forth the fatal pubess of these two enemies

A brace of star-cross ‘d lover ‘s take their life ;

Whose misadventured hapless overthrows

Make with their decease bury their parents ‘ discord ” ( Prologue 5-8 )

The fact that the following poetry repeats the same message indicates that Shakespeare was determined to guarantee that this message got impressed upon the audience really early on, in order to guarantee that the prefiguration which follows subsequently on in the drama would be heeded by them. So it is evident that Shakespeare was purpose on taking the audience to anticipate a tragic result right from the beginning.

Even though it starts off as a light comedy, the overall feeling created by the gap scene is that of a hostile atmosphere created by force and struggle.

The violent focal point of the gap scene has a powerful ocular impact on the audience.

Since the drama is about a struggle between love and hatred, by presenting the hatred in the gap scene, Shakespeare highlights the hatred which is traveling to be opposed to the love. This does non portend good for the love narrative which is to follow, which the audience are expecting. This sort of a start is improbable to take to a happy and peaceable stoping. It seems to propose that similar unpleasant state of affairss may follow. Furthermore, this debut to force and struggle so early on serves to guarantee that the audience become accustomed to unpleasant state of affairss. So, right from the start the audience is being familiarised with the construct of struggle or menace so that the seeds of the unhappy stoping are being sown.

When Romeo makes his first visual aspect he comes across as a lovesick rejected lover who is depressed and wallowing in self commiseration. As he reflects on love and hatred, the oxymorons he uses to depict his feelings make him look to be in love with the thought of being in love.

“ Why so, O wrangling love, O loving hatred,

O any thing of nil first create!

O heavy elation, serious amour propre,

Misshapen pandemonium of well-seeming signifiers,

Feather of lead, bright fume, cold fire, ill wellness,

Still-waking slumber, that is non what it is!

This love feel I, that feel no love in this. ”

Shakspere has put together contradictory words to convey the convulsion that love is doing Romeo. His contemplation begins with two oxymorons, puting “ wrangling ” versus “ love ” , and “ loving ” versus “ hatred ” . He is portrayed as being a romantic dreamer and person who is led by his feelings. We see a adult male who gets profoundly affected by love. His usage of linguistic communication stresses the confusion in his head and the fact that love has two sides. This has the consequence of making a sense of struggle around the topic of love – and this is before he even meets Juliet! Furthermore, it sets off a sense of predicting around the topic of love.

The first feeling created by the lovers meeting is that despite the sugariness of the brush, the sense of predicting continues to linger on. This is because even whilst the lovers are utilizing the linguistic communication of love and courting each other, the ambiance of premonition is of all time present because of the existent mentions to decease that they both make during that period.

Another device which Shakespeare uses to fix the audience for the tragic result is that he weaves an implicit in yarn of predicting throughout the drama. The assorted factors which contribute to the physique up of the sense of predicting in the drama include the extended usage of dramatic sarcasm, frequent and relentless mentions to destine and decease, mentions to the darker side of love and the happenings of force and struggle.

In the undermentioned portion of this essay I will detail the assorted methods which Shakespeare uses to successfully weave predicting throughout the drama.

Right at the start, the Chorus mentions a “ brace of star-crossed lovers ” ( line 6 ) and thenceforth there are repeated baleful intimations that Romeo and Juliet are fated to decease. Even before Romeo has met Juliet, as he is about to fall in Capulet ‘s party, he has a foreboding:

“ … … my head misgives

Some effect, yet hanging in the stars,

Shall bitterly begin his fearful day of the month

With this dark ‘s revels and run out the term

Of a detested life, closed in my chest,

By some despicable forfeit of ill-timed decease ” ( 1.4.106-11 )

Shakespeare introduces a note of predicting merely as Romeo is about to run into Juliet for the first s clip by suggesting that he is traveling to develop into a tragic character. With the words of the Chorus still fresh in the heads of the audience, hearing these words from Romeo would remind them of the footings set by the prologue. Romeo ‘s words foreshadow what really happens in the remainder of the drama. A concatenation of events does get down dark, and that concatenation of events does take to Romeo ‘s early decease.

Merely after they have met, each lover has a similar premonition that this love will hold a fated black stoping. When Benvolio says to Romeo ; “ Away, be gone. The athletics is at the best ” , Romeo replies, “ Ay, so I fear ” ( 1.5.119-20 ) , which reveals that he is worried that things can merely acquire worse from now on. When Juliet realises that Romeo is a Montague ( an enemy ) , she says ;

“ Colossal birth of love it is to me

That I must love a loathed enemy ” ( 1.5. 140-1 ) )

The fact that she links this minute of meeting in footings of both birth and decease does non portend good for the hereafter of their love.

Mentioning to Romeo, Juliet says ;

“ If he be married. My grave is like to be my nuptials bed ( 1.5. 135 ) .

She is connoting that if Romeo is married, she will be probably to decease single, because she will non get married anyone else. However, she is unwittingly boding her hereafter, in which her grave does stop up going her nuptials bed. Her comment starts off the many associations of love and decease in the drama. So, from its really first visual aspect in the drama, the love between Romeo and Juliet is portrayed as being doomed.

When Romeo goes to get married Juliet, he throws a challenge to destine ;

“ Do thou but near our custodies with holy words.

Then love-devouring decease make what he dare. ” ( 2.6.6-7 ) .

An Elizabethan audience would hold considered this act of Romeo ‘s to be really baleful. They would hold been probably to anticipate destiny to lift to such a challenge and stop up being the victor. Romeo ‘s words foreshadow what really happens because “ love-devouring decease ” arrives really shortly after the nuptials.

When Juliet shows concern for Romeo ‘s safety, Romeo assures her that it ‘s all right if her kinsmen find him, because his ;

“ life were better ended by their hatred.

Then decease prorogued desiring of thy love ” ( 2.2.77-78 ) .

Romeo means that he ‘d much instead have her love and dice on the topographic point, than non hold her love and dice subsequently. He does acquire her love, and that love leads to his decease.

When Romeo leaps down from Juliet ‘s window and the lovers are interchanging their concluding farewells, Juliet has a foreboding:

“ Methinks I see thee, now thou art below,

As one dead in the underside of a grave.

Either my seeing fails, or thou look’st picket ” ( 3.5.55-57 ) .

Sadly, Juliet is boding the fact that the following clip she sees Romeo he will be dead in a grave. Subsequently on in the drama, Romeo mentions a dream in which he ;

“ … woolgather my lady came and found me dead ” ( V.1.6 ) .

This farther builds upon the fateful nature of Juliet ‘s vision.

Juliet pleads with her female parent to assist her avoid the matrimony to Paris stating that if she wo n’t assist her so she should,

“ … ..make the espousal bed

In that dim memorial where Tybalt lies ” ( 3.5.198-201 )

Juliet ‘s deduction that she would instead decease than marry Paris foreshadows the fact that by the terminal of the drama she will be kiping with her hubby “ in that dim memorial where Tybalt lies ” .

Juliet so asks the Friar to assist her to avoid get marrieding Paris. She says, the Friar could,

“ … … conceal me every night in a charnel-house,

O’er -cover ‘d quite with dead work forces ‘s rattling castanetss,

With reeky shanks and xanthous chapless skulls,

Or Offer me travel into a new-made grave

And conceal me with a dead adult male in his shroud, ” ( 4.1.81-88 )

Juliet ‘s description foreshadows the fact that she does conceal in a charnel house, and Tybalt will be the “ dead adult male in his shroud ” .

It is non merely Romeo and Juliet who foreshadow their ain deceases – the words used by all around them besides hint at their tragic stoping.

At the banquet, Tybalt makes a promise to himself that he will do Romeo wage for coming to the banquet. He says ;

“ I will retreat, but this invasion shall

Now looking Sweet convert to bitter saddle sore ” ( 1.5.91-92 ) .

The word “ saddle sore ” can intend “ an highly acrimonious substance ” , and it can besides intend “ toxicant ” . This hints that Romeo ‘s sweet love for Juliet will take to his decease by toxicant.

The Friar reflects that there is some good in every works and mineral, even if it is unsafe. However, there ‘s nil so good ;

“ but, strain ‘d ( wrenched ) from that just usage,

Rebellions from true birth ( natural goodness ) , faltering on maltreatment ” ( 2.3.19-20 )

So,

“ Virtue itself turns frailty, being misapplied and frailty ( is ) sometimes by action dignified ” ( 2.3.21-22 ) .

The Friar thinks that the powers of nature demand to be used carefully: there can be danger in excessively much of a good thing, and good can sometimes come out of something bad. The Friar ‘s words reflect the nature of many of the events which follow, for illustration, the love ( a good thing ) of Romeo and Juliet brings them decease ( a bad thing ) , and their decease ( a bad thing ) brings an terminal to the feud between the Montagues and Capulets ( a good thing ) .

There is a certain type of repeating comment promoting the audience to tie in decease with Juliet, which is peculiarly effectual in constructing the sense of premonition and darkening the ambiance of the drama. Over and over once more Shakespeare introduces the thought that Juliet will be the bride of Death. I think that the most powerful personification in the drama is the image of Death as Juliet ‘s husband-bridegroom. It recurs in different signifiers. Juliet herself foremost speaks like this the minute after she has foremost met Romeo:

“ Travel inquire his name. – If he be married,

My grave is like to be my nuptials bed ” ( 1.5.134-5 ) .

After hearing of Romeo ‘s ostracism she looks at the ropes which he would hold used to derive entree to her room, and says:

He made you for a main road to my bed,

But I, a amah, die maiden-widowed.

Come, cords. Come, Nurse. I ‘ll to my nuptials bed,

And decease, non Romeo, take my hymen. ( 111.1.134-7 )

Her female parent besides encourages the audience to believe in this manner about Juliet. When Juliet garbages to get married Paris, an angry Lady Capulet comments,

“ I would the sap were married to her grave ” ( 111.5.140 ) ,

Juliet ‘s male parent, Capulet, speaks in a similar manner when he thinks Juliet is dead:

“ Death is my son-in-law. Death is my inheritor.

My girl he hath wedded. I will decease

And go forth him all. Life, life, all is decease ‘s. ” ( 1V.5.38-40 )

When Romeo sees Juliet in the grave, he thinks that Death loves her ;

“ … .. Ah, beloved Juliet,

Why art 1000 yet so just? Shall I believe

That insubstantial decease is amative,

And that the thin abhorred monster supports

Thee here in dark to be his fancy man? ” ( V.3.101-5 )

Remarks like these lead the audience to closely associate decease with Juliet so that when she does eventually decease, they are non excessively severely affected. They besides guarantee that decease is ever in the dorsum of the heads of the audience ; they encourage us to anticipate it to be the consequence of the lovers ‘ matter and so affect on us the hopelessness of their state of affairs.

Throughout the drama, it is made really obvious that the lovers are doomed – the audience are led to believe that they do hold to decease. A atrocious sequence of happenstances destroys them. The events which contribute to the result of the lovers ‘ deceases, such as the feud between the two households, the series of accidents that spoil the Friar ‘s programs and the tragic timing of Romeo ‘s self-destruction and Juliet ‘s waking up, all seem to be the work of the barbarous custodies of destiny. The audience are given the feeling that fortunes are invariably arranged to work against them. If any one of the many happenstances had been different, so the calamity would hold been avoided. Romeo and Juliet are shown to be the victims of those fortunes. These happenstances have an of import dramatic intent: the fact that things maintain traveling against the lovers creates the feeling that an outside force of some kind is at work. The audience is repeatedly given the feeling of destiny as an outside force working against the lovers. They are frequently portrayed as non being responsible for their destinies. This position is encouraged by Shakespeare throughout the drama and it leads the audience to feel for the lovers.

There are many suggestions in the drama that the deceases were determined by destiny. Throughout the drama there are legion mentions to the inevitableness of the calamity, for illustration “ star-crossed ” ( Prologue, line 6 ) , “ the yoke of unfortunate stars ” ( V.3. 111 ) . No affair how hard the lovers may seek to get the better of the obstructions in their manner, the audience is left in no uncertainty that destiny will win in the terminal.

Both Romeo and Juliet make mentions to an outside power which they believe is determining their lives. They speak of themselves as the guiltless victims of that power. After killing Tybalt, Romeo exclaims ;

“ O, I am fortune ‘s sap ” ( 111.1.136

Then subsequently he refers to himself as a “ betossed psyche ” ( V.3.76 ) , proposing that he feels like a incapacitated ship in a storm, being blown here and at that place by destiny. And when Juliet learns that she must get married Paris she feels disquieted and exclaims ;

“ Alack, alack, that Eden should rehearse ploies

Upon so soft a topic as myself! ” ( 111.5.210-11 ) .

She sees herself as a weak victim of the strategies of destiny. On hearing the intelligence of Juliet ‘s decease, Romeo angrily cries ;

“ I defy you, stars ” ( V.1.24 )

This indicates that he believes destiny to be responsible for her decease. As Romeo looks at the dead organic structure of Paris, he thinks of the two of them as the victims of fortunes, both written ;

“ in rancid bad luck ‘s book ” ( V.3.111-12 )

The Friar, gaining that his program had failed, tells Juliet that there was nil he could make against the destiny which seems to hold worked against the lovers:

“ A greater power than we can belie

Hath thwarted our purposes ” ( V.3.153-4 ) .

The frequent and relentless mentions to destine throughout the drama jointly suggest that fate will win in the terminal. They serve to make the feeling that the lovers are at the clemency of destiny.

Shakespeare portrays the love between Romeo and Juliet as being ideal. However, he does n’t merely demo love as being ideal – he shows that love has a darker side excessively. The mentions to the darker side of love create an ambiance of premonition and remind the audience of the words of the Prologue.

When Romeo is in love with Rosaline and being Moody, Benvolio teases him, stating:

“ Why, Romeo, art 1000 mad? ”

Here love is shown as a sort of lunacy.

The Friar thinks that Romeo should command his feelings and be less headlong and hotheaded. He advises Romeo to be cautious:

“ Wisely and decelerate. They stumble that run fast ” ( 11.3.90 ) .

Furthermore, he warns Romeo against being excessively passionate:

“ These violent delectations have violent terminals… .

And in their victory dice, like fire and pulverization,

Which as they kiss consume. ” ( 11.6.9-11 )

His words are tragically prophetic of the deceases of the lovers.

He tells Romeo:

“ … love reasonably, long love doth so, ” ( 11.6.14-15 )

Clearly, the lovers do n’t follow his advice. Romeo is excessively passionate and hastes into whatever his feelings lead him to. He rushes into love with Juliet, rushes into matrimony, he kills Tybalt without halting to believe, and after hearing of Juliet ‘s decease he rushes back to Verona to kill himself. If he had slowed down, and thought approximately what he was making, the deceases might hold been avoided.

The romantic love of Romeo and Juliet leads to their deceases because they act without thought of the effects. And the consequence is that they die. To an Elizabethan audience it would hold been plainer than to a modern audience that the lovers were incorrect to get married in secret without the consent of their parents.

In a manner even the feud is based on love. After the battle in Act 1, Romeo says:

“ Here ‘s much to make with hatred, but more to make with love. ” ( 1.1.167 )

The force of the feud is caused by the love and trueness the Montagues and Capulets feel for their households

The negative facets of love show that love can be destructive and unsafe. This creates an air of premonition.

The happenings of force and struggle in the drama help the audience to go used to unpleasant state of affairss. The many different signifiers of struggle in Romeo and Juliet include those between: Montague and Capulet, love and hatred, the espousal bed and the grave

Shakespeare frequently uses antithesis to foreground the sense of struggle by utilizing antonyms. In this manner the struggle is expressed in a more powerful manner. For illustration, there are at least 15 antitheses contained in Friar Lawrence ‘s first address ( 11.3.1-30 ) , as he reflects on the potency for good or evil in all living things ( “ baneful weeds ” versus “ precious-juiced flowers ” , “ grave ” against “ uterus ” , “ Virtue ” against “ frailty ” , … … .. ) . Another illustration of contrasting antitheses is the address in which Capulet heartaches for Juliet ( 1V.5, 84-90 ) . He strongly contrasts the happy readyings for the intended nuptials with the bereavement rites for her decease. The first two lines set “ festival ” versus “ funeral ” :

“ All things that we ordained festival,

Bend from their office to black funeral ”

Sometimes Shakespeare uses a particular sort of antithesis called an oxymoron in which two contradictory words are placed following to each other. For illustration, Shakespeare uses the oxymoron “ sweet sorrow ” in order to efficaciously show Juliet ‘s conflicting emotions when she and Romeo are about to portion,

“ Separating is such sweet sorrow ”

The oxymoron “ sweet sorrow ” intensifies the struggle felt by Juliet at being sad to go forth Romeo ( “ grieve ” ) and yet excited ( “ sweet ” ) because she will be seeing him once more. It allows a batch of information to be conveyed to the audience with a few words. It allows Juliet ‘s conflicting emotions to be conveyed to the audience in a really powerful manner with merely a few words.

After hearing of Tybalt ‘s decease, Juliet strings together a list of oxymorons ( 111.2.75 ) . Shakespeare uses the verbal struggle in these words of opposite significances to really efficaciously reflect Juliet ‘s emotional struggle: she loves Romeo and yet is appalled at what he has done in killing Tybalt.

To show the confusion of her feeling ‘s, when Juliet ‘s frights that Romeo is dead, she puns on the pronoun “ I ” , the vowel “ I, the oculus and the word “ ay ” ( 111.2.45-50 ) . Her lines really efficaciously convey that if Romeo is dead so she excessively stops bing as a individual – as an “ I. ”

In Romeo and Juliet Shakespeare makes adept usage of linguistic communication to act upon the audience. He uses graphic words and phrases to make imagination which helps to excite the audience ‘s imaginativeness to stir up mental images which are emotionally charged. For illustration, Chorus uses powerful metaphors to propose what will go of the lovers in mentioning to them as “ star-crossed ” and their love as being “ death-marked ” . Shakespeare besides uses imagination to intensify the dramatic impact of peculiar minutes or tempers. All of Shakespeare ‘s imagination uses metaphor, simile or personification. Those which refer to decease hold a peculiarly powerful affect on the audience. This is because decease is such a feared capable by everyone that its reference instantly has a strong impact. When I was watching the drama, the personification which affected me in the most powerful manner was that of the image of Death as Juliet ‘s husband-bridegroom.

The ambiance of the drama plays an of import portion in act uponing the audience.

The general temper alterations throughout the drama, traveling from romantic to comic to violent to tragic.

Apart from allowing the audience know that it ‘s a calamity in the Prologue and thenceforth often reminding them of that fact, the general temper is kept comparatively light in the first two Acts of the Apostless. However, Act 3 starts with force and decease and so from thereon the atmosphere gets black as the events accelerate towards calamity. The bleak atmosphere helps to do the tragic event more acceptable because it prevents the calamity from holding a flooring consequence on the audience.

One of the methods which Shakespeare uses to suitably change the ambiance of the drama is by utilizing the scene scenes to make certain tempers. The scenes of a scene aid to give each scene the right type of ambiance. The concluding scene is set at dark in a cemetery and grave. It ‘s a appropriately glooming and morbid scene for the tragic stoping of the drama and it helps the audience to expect and accept the calamity.

Shakespeare besides uses linguistic communication to make atmosphere. For illustration, Juliet reflects on the conditions inside the grave before she takes the potion ;

“ Where bloody Tybalt, yet but green in Earth,

Lies maturating in his shroud, where, as they say,

At some hours in the dark spirits resort ” ( 4.3.42-44 )

This death-fixated linguistic communication and imagery really efficaciously creates a truly skittish and morbid ambiance which is really appropriate at that point in the drama.

In Romeo and Juliet everything happens in one hebdomad between a Sunday and a Thursday. Since the happenstances go on within this really short time-frame, it gives the audience the feeling that events are rushing towards calamity. This makes the state of affairs feel progressively despairing which creates tenseness in the drama. Events seem to go on in a haste, brushing Romeo and Juliet along with them. The audience get drawn in by the awful logic of how things go incorrect and ca n’t assist being swept along with them because there is a kind of morbid captivation in watching it go on. Due to the fact that every thing in the drama seems to go on at great velocity, I felt as though I was rushed along and the decease of the lovers did n’t hold every bit strong a sad impact on me as it would hold had if the gait had been slower. I felt as though I was n’t given adequate clip to experience bad.

In order to soften the impact on the audience of the dramas tragic decision ( so that they do n’t stop up experiencing exhaustively depressed and/or traumatised ) , Shakespeare prepares the audience for the eventual result good before they arrive at that sad point. Throughout the drama there are legion mentions to the inevitableness of the calamity. From the really beginning of the drama, throughout it, and right to the terminal, Shakespeare uses a assortment of methods to do it blatantly obvious that his purpose with this drama is that of a calamity and he uses a batch of dramatic sarcasm to convey this. This is necessary to guarantee that when the audience do finally meet the awful result, they do n’t go overwhelmed, although they may be saddened. He ensures that by the terminal of the drama the audience have come to footings with the fact that that the lovers will decease – they were introduced to that construct from the start of the drama, and thenceforth often and persistently reminded of it. They are able to accept it and cover with it comfortably because they have been good prepared for it.

The fact that the drama did non stop with the deceases of Romeo and Juliet made the calamity more acceptable to me. This is because their deceases were non in vain.

The Prince had tried to halt the feuding, but failed. The Friar hoped that the matrimony of the lovers might unify the households, but his strategy went incorrect. So, neither the Church ( the Friar ) nor the State ( the Prince ) were able to stop the feud. But the love of Romeo and Juliet was able to stop the feud. Their love was so great that it united their households. So, the drama ends non with the deceases of Romeo and Juliet but with an terminal to the feud – as a consequence of their deceases. The deceases of Romeo and Juliet will convey peace to Verona.

I do n’t believe that I would hold enjoyed the drama if it had ended with the deceases. It would hold been excessively negative. I like fact that the drama ends on a positive note – that of love mending old lesions. It seems that the Friar was right – sometimes, something good can come out of something bad.

Leave a Reply

Your email address will not be published. Required fields are marked *