This film every bit good as the books is situated in the Chinese 19th century, where adult females ; wives together with their girls were subjected to a life of entire privacy. This paper helps the writer of the book in demoing the historic minute at this clip, and the subjects that the writer was go throughing across to people.
The novel is based on lily who represents the so adult females in China. Lily is a lady haunted by her historical memories, those of a lady that she was at one clip identified with. At the clip when she tells her narrative, lily merely has clip in which she gives the narrative of snow flower while she asks the Gods to forgive her.
From the novel, it is clear that Chinese adult females of the 19th century were Inferior in society and the lone manner for them to show themselves was by painting letters on fans. Womans did several things that helped them to acquire out of their purdah and isolation like, they manus hankies on which they embroidered their messages. They besides composed narratives that helped them to make each other in an attempt to touch their hopes, their dreams and their achievements. Their secret codification of communicating was called nu shu which was best known as adult females ‘s authorship.
Snow flower and lily go tight friends after a silk fan on which snow flower composed lily ‘s verse form in nu shu. This friendly relationship is sealed at the age of seven when snow flower and lily go ‘old Lapps ‘ . The two friends reflect upon several events of their lives as clip base on ballss by. They have clip to reflect about their matrimonies, their solitariness and the joy they experienced during their calamities. Their friendly relationship is at one point threatened by little misinterpretations between them.
The book snow flower and the secret fan shows the realistic journey that goes back to the history of China which is both sorrowful and traveling to deeper deepnesss of life. It shows the cryptic relationship between adult females based on the inside informations of the period. The memories that Lisa has show the civilization wrapped in a narrative of friendly relationship between lily and snow flower.
The book shows its audience that in mentums during the 19th century, misss ‘ pess were crushed to the size of lily flowers in a ritual that normally started at the age of six and ended after two old ages. After the pes binding period, misss would be taken into privacy because there was a difference between the interior kingdom of place and the kingdom of work forces which was laid at the bosom of Confucian society.
The 19th century Chinese civilization was that, scholarship and instruction were chiefly meant for work forces. Womans were secluded from the people who took personal attention about them, and they were alternatively married out to households of their hubbies. In this sense, they were capable to their hubbies ‘ female parents until the clip when they bore boies, and their stature remained low at this clip of their lives. The adult females ‘s signifier of communicating was formalized and stiff because it was prohibited for them to larn the penmanship work forces used. In this sense, they were forced to develop their ain coded linguistic communication which they called nu shu. From this book, Lisa shows that the parturiency of adult females is a civilization that started in the E and travelled to the West.
It is besides clear from the book that, in a civilization where misss are crippled, there is an being of trueness and love. From the storyteller ‘s position of love, she tells the audience that before she went to pick bonding, her female parent slapped her difficult across the face. This is a mark of the love the female parent had for her girl. The smack was meant for evil liquors that were meant to upset lily during pes adhering to fly off. Lily says it was at that clip that she knew her female parent loved her so much. This is because the Chinese word for female parent is hurting, and that is why lily associates the hurting she felt from her female parent ‘s smack as love.
The narrative between lily and snow flower gives the audience the perceptual experience that the friendly relationship between the two was so strong to a point that their hubbies ‘ love could non interrupt it. The book further shows that the writer was psychologically full of high bets for feminism and matrimony, which are extremely associated with love. The coded linguistic communication between snow flower and lily demo the deep desire for love in lily ‘s bosom. She has the desire to be loved by her household in general ; her female parent, her hubby ‘s household, snow flower and her kids as good.
The book snow flower and the secret fan shows that the adult females from the Chinese civilization in the 19th century were filed with wretchedness every bit good as wretchedness. From the first transition in the book, it is clear that hope has no topographic point in the lives of Chinese adult females. This is because, irrespective of any events that take topographic point in their lives, one irrevokable fact is that they are adult females and they are hence subjected to lone parturiency. From lily ‘s narrative at her stamp age of six, she has a pess edge and so subsequently she is locked up with the older adult females ne’er to see the outside universe.
The wretchedness is clear in the sense that the lives of Chinese adult females in the 19th century were defined by adult male, therefore connoting that adult females were of no value to society so. Secrets are shown by the fact that they have a coded linguistic communication with their ‘old Lapps ‘ in which their conversations can non be understood by work forces.
In decision, it is apparent that the adult females of the 19th century as shown by Lisa See were oppressed viciously by their work forces. Womans were of an inferior category whish was capable to ferociousness. This society was ruled by work forces for work forces, and the civilization of the 19th century was repetitive on female obeisance. Womans were forced to undergo surgery under crude ways so as to be appealing to their suers who ne’er underwent the same procedure. Identity was non allowed for adult females since they were submersed in the household unit and subsequently dissolved in ordered matrimonies where they had no say for themselves.
The writer brings out this important narrative in the novel so as to demo the alterations that have taken topographic point in the universe since the 19th century. The writer shows the difference between the early 19th century adult females and the modern adult females found in Shanghai. The two groups of adult females are different and have different perceptual experience of feminism and civilization.
