One forceful statement in Kate Chopin ‘s Story of an Hour is whether Louise Mallard committed self-destruction or whether her hubby Brently Mallard killed her. This paper will back up the statement that Louise Mallard committed self-destruction. The first sentence in the narrative foreshadows what will happened at the terminal of the narrative: “ Knowing that Mrs. Mallard was afflicted with a bosom problem, great attention was taken to interrupt to her every bit gently as possible the intelligence of her hubby ‘s decease ” . Throughout this narrative Louise demonstrated actions and words that she was non happy in her matrimony, she felt trapped. Due to grounds in the narrative it is proven that Louise committed suicide due to her emotions.
Depression is a factor that is repeatedly represented throughout The Joy That Kills and Story of an Hour. This narrative is set during a clip when society was male dominant. Brently Mallard traveled to many different topographic points and his married woman Louise was really covetous and in some sense resentful. Lyman Baker suggest that, “ Mrs. Mallard suffered during her matrimony, though she had no apprehension of why. ” ( Baker ) Baker goes on to explicate that, “ This is surely an of import fact of the narrative, and it is one that has to be inferred. ” There was no laid out solution whether Louise committed self-destruction or non, it has to be inferred from the context of the narrative and film.
In the film we see several non-verbal cues from Louise that she is non happy. One illustration is when she is sitting on the porch and has the workss moved so she is able to see what is traveling on in the streets. The audience sees the expression of depression and entrapment she feels by being stuck in the house. Another illustration from the film is at Brently and Louise ‘s anniversary dinner. Brently states, “ Today is my anniversary and I am married to the most keen lady in all of Gallic Town. ” This statement should hold made Louise really happy but alternatively you saw the expression of unhappiness in her eyes.
This narrative portrays the symbolism of matrimony and the feeling of entrapment that Louise felt. Due to her bosom status, she was non allowed to go forth the house. She felt trapped in her ain life. In the beginning of the film The Joy That Kills, Louise says, “ I was born in this house and I seldom leave. ” Nicole Smith stated, “ In many ways, the fact that she dies at the terminal of simple “ bosom disease ” ( which the physicians think came approximately as a consequence of her joy of seeing her hubby ) is symbolic of the “ disease ” of matrimony. “ ( Smith ) Smith goes on to explicate, “ The fact that it affects her bosom as opposed to any other part of her organic structure shows that her wretchedness from this symbolic disease stems from something inside of her, non anything external. “ ( Smith )
Calamity had struck, or so we thought, Brently Mallard had been killed in a train accident. After Louise heard the intelligence that Brently had died in a train accident her reaction was really disquieted and in daze. One thing that stood out in the film was after hearing the intelligence, Louise touched Maggie ‘s and look into and looked at her as if it would be the last clip she was traveling to see her. After traveling up to her room in the film, the audience hears her say: “ Brently I ‘m allowing you go, the gardens are over. I am entirely, I am nil, but I am free, awfully free. ” In her caput, Louise felt that now that Brently was gone she would be able to go forth the house and see all the topographic points she dreamt of seeing.
Many people throughout the narrative acted really protective of Louise and her status. It was made known that any daze would be lifelessly. We see Brently be protective after he hears the intelligence that Louise is good plenty to venture out. He does non desire her to take the hazard. After hearing of Brentlys ‘ decease we see Josephine say, “ Louise, open the door! I beg ; open the door – you will do yourself ill. What are you making, Louise? For Eden ‘s interest open the door. ” Dana Gioia explains that she feels, “ Louise Mallard ” s emotional well being is challenged with utmost highs and depressions. “ ( Gioia ) Louise went from being depressed about her life to being sad and aghast about her hubby ‘s decease. She so moved on to experience happy that she was free. Merely to happen out her hubby was alive and that brought her back down once more. With her bosom status there is no manner that it could hold taken all the ups and downs.
The definition of self-destruction is the act of killing oneself. There is so much grounds throughout the text and film that Louise suffered from depression, even though she may non hold been cognizant of it. She suffered from bosom jobs every bit good as assorted emotions about her matrimony. “ That one concluding extreme emotion took its toll on her bosom. “ ( Gioia ) That is why it is concluded that Louise Mallard committed self-destruction.