Antoni Gaudi was a adult male who built and molded his topographic point into history throughout Barcelona and Catalonia. He brought a sense of thaumaturgy, imaginativeness and gaiety to his architecture and used inspirations around him to make his designs. He is one of the most accepted and distinguished designers around the universe. Gaudi ‘s love for Catalonia and Catalonian civilization has created non merely a Muse for him to show his emotions and positions on life throughout the metropolis, but has allowed the people of Catalan to see his passion and mastermind. Gaudi was able to make architecture by blending elements of vivid and superb colorss, the reuse of rock and ceramics with the natural elements of wood. He combined the carving and forming of nature inspired structural design to climax expressionalist naturalism ( Browne 111 ) . Due to Gaudi ‘s brave designs and bravery, he has paved the manner for future designers to believe outside of the box and to make their ain visions on life and society. Gaudi ‘s distinct and alone manner has greatly influenced the face of Barcelona and can be seen while walking all over the historic metropolis.
During childhood Gaudi suffered from arthritic febrilities, which kept him at place a batch, due to this, he devoted much of his clip to detecting workss and animate beings and their constructions ( Browne 111 ) . He focused on the forms nature took on, which can be seen in his plants today. In Europe, where political and cultural Renaissance was happening, Gaudi looked to many inspirations to busy his clip and to happen a way for his work ( Browne 108 ) . There were many inspirations which influenced his designs. To call a few ; he studied Mudejar manner, medieval books, oriental construction, Gothic art, the Art Nouveau motion and particularly the beauty and admiration of nature. All of these inspirations strongly influenced his designs and what made him a one-of-a-kind designer and radical mind. Including the manners and designs which had an impact on him, his spiritual religion played a major function on the logical thinking behind the creative activity of his chef-d’oeuvres, which can be seen particularly in la Sagrada Familia.
With an organic theoretical account in head Gaudi based his work on the premiss that if nature is the work of God, and if his architectural signifiers are inspired and derived from nature, than the best manner to honor God is to plan his work based on what God has created ( David 25 ) . Gaudi ‘s La Sagrada Familia is the most celebrated construction to be seen in Barcelona. Its immense and overpowering force of spiritualty and sanctity makes it an unforgettable construction around the universe. This edifice has become a symbol for the metropolis and speaks volumes non merely for his love to his metropolis but to his devotedness to faith. It seemed that as Gaudi grew older his positions on society, civilization and particularly faith became more and more utmost. Gaudi felt that Barcelona and possibly all of society should pay due to his Catholic God through penitence and supplication ( David 31 ) . The designer was so obsessed by this undertaking that he even slept in the temple. Gaudi was a really complex and at times a misunderstood adult male. His architecture was extremist and land breakage, but he was a deeply conservative Catholic. At a clip when bookmans in Barcelona were traveling towards the left, Gaudi remained traditional towards his faith ( Gomez 13 ) .
His work reflects the natural curved signifiers which nature takes on. There are no consecutive lines in nature ; therefore his work should hold no consecutive lines. In his work he uses soft and unstable constructions instead than rough formations of solid lines. He noticed the strength the forms of nature took, so he tended to mime the forms he saw in nature to his designs. An illustration of this is Casa Mila, which has no interior walls but pillars and arches to back up the edifice ( Pier 17 ) . The exterior and interior mimics the flow that moving ridges make in the sea ( Pier 19 ) . These moving ridges are so carried out onto the roof which has a position of overpowering irregular chimneys, which take on the signifier of soldiers standing tall. These chimneys, much like Gaudi ‘s other work are covered with motley broken tiles. Many designers overlook the usage of coloring material, which Gaudi surely did non. He adorned many of his edifices with colored tiles arranged in mosaic forms, which added yet another of import component to his architecture. His combination of adding vivacious coloring material, interesting forms and rock model to original designs gave Gaudi ‘s viewing audiences a genuinely breathtaking and intense ocular experience.
Another one of Gaudi ‘s celebrated iconic chef-d’oeuvres is Casa Batllo . It amazes and awes anyone who looks upon this edifice with its twirling phantasy and creativeness. Casa Batllo was non built from the land up, but instead restored ( Lafuente 72 ) . The facade of the old house was transformed with Gaudi ‘s originative genius and vision. His thoughts ran wild all over the edifice, bring forthing a construction that engulfs Gaudi ‘s perfect representation of his ain artistic image ( Lafuente 75 ) . Gaudi ‘s vision was about being able to force the boundaries of non merely architectural construction but the boundaries of the society he lived in. The facade of the edifice has balconies which look like skulls, the pillars to back up these balconies look like castanetss. Gaudi found the forms and motion in marine life to be rather absorbing and became an inspiration non merely for this edifice but for many others ( Louis 10 ) . He used the colors and forms which would be found in the H2O by utilizing reflecting glass tiles which adorn the forepart of the edifices walls ( Louis 11 ) . These tiles so carry on to the scaled roof, to emulate the big spinal column of a firedrake. Nothing has of all time come near to the punctilious adornment Gaudi sets into his designs and work. The power of his innovation, desire, imaginativeness and vision has ne’er been united with such edifices to keep their functionality and efficiency. Casa Batllo is able to capture kid like merriment and imaginativeness among the fuzz of a helter-skelter urban metropolis.
Gaudi used to state that merely work forces drew consecutive lines and that God and nature much preferred curves ( Radford 573 ) . He was able to take concrete and stonework to do it flux, twirl, curve and rush into about enchanted and charming signifiers that seem to hold been born out of the imaginativeness of a extremely originative kid. Looking toward the hereafter, the lesson of Gaudi is non to copy his designs and thoughts but to instead look at his work and nature for inspiration, for nature does non travel out of manner. Leading the Spanish Modernist motion, Gaudi had a desire to travel beyond anything that had of all time been done earlier. Defying labels, Gaudi ‘s work might be merely called, Gaudi-ism ( Radford 574 ) . During Gaudi ‘s life he was the chief focal point to a batch of unfavorable judgment towards his alone thoughts and manners. But, of class as with many genuinely talented people, he was non wholly valued and respected until after his decease. He will be honoured for his work and for his originative visions towards art, design and life.
Browne, C. “ Gaudi ‘s organic geometry. ” Computer & A ; Graphics, 32 ( 2008 ) : 105-115
David, T. “ Inspiration: Sagrada Familia, Barcelona. ” Building Design, ( 2008 ) : 18-32
Gomez, J. “ The development of Sagrada Familia building. ” Informes de la Construction, 61 ( 2009 ) : 5-20
Lafuente, P. “ A universe of his ain. ” Art Review, 54 ( 2003 ) : 70-75
Louis, B. “ Court to Barcelona. ” The Art Book, 15 ( 2008 ) : 10-11
Pier, A. “ Gaudi ‘s Quest for an Architectural Language rooted in Natural Form. ” Sculpture Review, 59 ( 2010 ) : 16-23
Radford, R. “ Barcelona: Gaudi. ” The Burlington Magazine, 144 ( 2002 ) : 573-574