I wandered lonely as a cloud

An Analysis of William Wordsworth ‘s Poem

William Wordsworth ‘s “ I wandered lonely as a cloud ” is a lyrical verse form, which reveals the talker ‘s province of head. A natural scene represents a description of the mental procedure, which the talker undergoes, where he, the workss and his milieus unite. The verse form is written in a nonliteral linguistic communication, uniting images, similes and words that signify temper and atmosphere to reflect the alterations in the talker ‘s place. Each stanza shows a different position of the storyteller ‘s position toward his milieus, finally depicting the beauty in nature. He captures the scene and the attraction within in his head, which he will everlastingly care for, utilizing it in a clip of demand. The talker depicts his history with the scenery around him and flights world through it.

“ I wandered lonely as a cloud ” opens with the storyteller depicting his action of walking in a province of secular withdrawal ; “ Equally lonely as a cloud / that floats on high o’er valleies and hills, ” ( Lines 1-2 ) . Wordsworth uses a simile to open the verse form, which the talker uses to depict his procedure of rolling about aimlessly, demoing he has no intent in his actions. Although the talker ‘s true ideas are ne’er exposed, his description leaves the reader to believe he is in dream-like province, unconcerned with the immediate fortunes with which he finds himself. Wordsworth possibly uses these first two lines to picture the dispassionate and degage manner we live our lives, where we fail as emotional animals to appreciate the beauty in mundane things. Wordsworth ‘s “ lonely cloud ” is our ain impersonal perceptual experience of the universe in which we ignore the emotional nutriment that is straight on Earth by drifting stat mis above it. As the talker is walking he notices, “ A host, of aureate Narcissus pseudonarcissuss ; /Fluttering and dancing in the zephyr, ” ( Lines 4 and 6 ) . These daffodils become much more than mere flowers ; they are a symbol of natural beauty and typify a life full of experience and esthesis. Their waver and dance in the zephyr represents the joy and felicity of populating a fulfilling life.

The idling generated by the verb “ wandered ” is erased in line three when the talker notices the “ crowd ” or “ host of Narcissus pseudonarcissuss. ” The suggested personification of the massed flowers is made definite in the terminal of the stanza where they are described as “ dancing in the zephyr. ” This puts the talker physically there and no thirster is the he aloof or distant. The prepositions used in line five, “ beside the lake ” and “ beneath the trees ” , turn up the talker straight on Earth and makes the poem realistic. The Narcissus pseudonarcissuss are non merely yellow but costumed in rich gold for their public presentation. He is actively among them and no longer at the elevated remove mentioned in the gap lines.

Wordsworth ‘s 2nd stanza is notable for its indulgence in exaggeration. No hillside can realistically incorporate as many flowers as there are stars in the galaxy ; a “ ceaseless line ” ( Line 9 ) does non be on Earth ; a glimpse that takes in ten 1000 flowers is likewise notional. These exaggerations depict the storyteller ‘s exhilaration and joy over the nature in which he is surrounded. He succumbs to the power of this self-generated flood of emotion and feels that his bosom is full of pleasance because of it. The talker describes the Narcissus pseudonarcissuss as “ fliping their caputs in sprightly dance, ” demoing that their effortless, lively nature has touched him. These images all portray how wondrous alive the environment is.

The 3rd stanza expands to include the moving ridges of the bay whose dance motions are shadowed by the lively daffodils. The talker personifies both the Narcissus pseudonarcissuss and the moving ridges in a melancholic tone, which makes them sound more challenging. “ A poet could non be but gay, ” ( Line 15 ) is a reminder of the talker ‘s present farness that he had to give up to the hilarity of the blithe company. He is non involved in the dance motions but feels enriched by the experience ; “ what wealth the show to me had brought. ” ( Line 18 ) The talker realizes that the wealth he had they do non, although they live a joyous, spirited life.

The reasoning stanza returns to the lonely, empty cloud of line one. However, the storyteller has undergone alteration by his inventive experience affecting dancing Narcissus pseudonarcissuss and the attach toing bay Waterss. This happening has left a brawny, permanent feeling on him. The earlier solitariness has now been replaced by a blissful purdah. This pleasance has been brought approximately by what he has imaginatively created and is able to cite to his head ‘s oculus. The talker takes complete and ultimate joy out of simple objects to which most people take for granted. When “ they flash upon that inward oculus ” ( Line 21 ) he remembers the good he himself has and his “ bosom with pleasance fills/ and dances with the Narcissus pseudonarcissuss ” ( Lines 23-24 ) as he dreams of being every bit thankful as they are. The talker suggests that one needs to be in a perfect province of head in order to hear the voice of nature and to truly embracing it.

The peace of head and repose in which adult male seeks in life resides in the designation with nature, the image in which Wordsworth portrays in “ I wandered lonely as a cloud. ” This esteem for nature brings peace to the storyteller ‘s head, even long after the original experience is over. The sights of nature amaze the poet because they are non inactive like a picture, but they are alive with gesture. He becomes one with the calm environment that surrounds him ; he allows himself to be wholly consumed himself by it and alter with it.

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